Week in Review – March 9th, 2025

“Mardi Gras Week 3”

I started to feel like the flu was coming for me on Monday evening – appreciating what poor Kara had been dealing with for most of the parade season.

I had arranged to go with Kenny to Tipitinas at 5am on Mardi Gras day.  The Indians were coming out accompanied by a concert by Bill Iuso.  Yes – things really do start that early on Fat Tuesday.   Kenny texted and called that he was on the front porch – and I just couldn’t get out of bed.  Sorry Kenny!  It was kind of him to send evidence that he had been there before biking off to enjoy the show.

While I was sitting around feeling sorry for myself, Kenny was cruising around the downtown and Marigny areas, running into friends and making friends with strangers:

That’s Randy, Amy, Brian, Lisa and others dressed up as cereal boxes, not to forget the milkman.  These guys are always very creative with their costumes, and I’m sure they are already discussing the plan for next year.

Amy got this picture with local star musician, Jon Cleary:

Our neighbours clowned their way down to the Marigny and back – very adventurous:

By Thursday, I had enough and made a visit to urgent care center.  A chest x-ray was all clear, so they gave me some flu medicine, cough syrup and some medicine to use with a nebulizer (that really helped.)

Diana headed back to California and the guys were all off in Colorado skiing – so things were quiet around town.

Kara and I were feeling sufficiently better on Sunday to attend the Mystical Krewe of Barkus parade in the Quarter.  This was rescheduled due to weather and Sunday was a perfect day for it.  A new parade to me, I enjoyed it more than I expected to, with the dogs providing some great entertainment.  Here are some pictures and videos of the excitement:

And it wouldn’t be a parade without Chris Peet and his Love flag – this time in a dog suit:

I’m really glad we made the effort to get out and enjoy one last parade to close out the season.

Here’s a cautionary tale from our local music writer, Keith Spera, who lost part of a front tooth trying to catch a mug thrown from a float:

https://www.nola.com/entertainment_life/keith_spera/losing-a-tooth-and-catching-a-mug-at-new-orleans-mardi-gras/article_03ef8756-fabb-11ef-95ff-37a3a4ed925c.html

I haven’t been able to focus on reading this week, and don’t have any new music to report.

Coexist peacefully, with kindness and patience for all!

 

Week in Review – March 2nd, 2025

“Mardi Gras Part 2”

Finn and Holly drove down from McKinney on Wednesday, arriving in time to get inside the box caused by all the street closures for parades.  We live inside the box, which can make driving a challenge during Mardi Gras season.  They got settled into their room and then I took them out to their first parade:

This was an unusually quiet evening and a great way to introduce them to Mardi Gras.

Diana arrived back from San Francisco around midnight and got ready to participate in Mardi Gras.

We enjoyed lunch at Commander’s Palace on Thursday.  Finn walked in, looked around, and said “Wow, Dad!”  He was equally taken with the fancy surroundings and the costumes and parties underway.  It was Muses Thursday – Muses being one of the biggest and most popular of all the parades.  Diana had alerted the restaurant that we were having a late celebration for Fin and Holly’s engagement.

The food and atmosphere were excellent.

Here is a group of Muses riders celebrating before the parade behind Diana:

We exited through the kitchen so that I could show Finn the organized chaos that goes into serving all those meals with such precision.  The garden patio was beautiful on such a perfect day:

Thanks to Mum for the gift certificate that we used for this lovely celebration.

The parades that night were very busy and maybe a bit overwhelming for newcomers:

Sometimes you just need to take some time out on the porch:

I dropped the kids at the zoo on Friday morning and Diana and I had a walk around the park.  Then it was time to get back inside the box for the Friday parades.

Our house was Mardi Gras central for the extended krewe on Tucks Saturday.  Our neighbours, Roeland and Jules, ride in that parade.  Walking by their house a day or two before, Jules asked me to wait as he had something for me.  A custom throw that he knew he wouldn’t be able to get to me in the parade madness – plunger penguin:

Everyone brought delicious food over to help feed the multitude of folks at our house.  Busy inside:

Outside:

And on the porch:

Jack thought he could use all the confusion to execute a penguin “ransom situation”:

Oliver was enjoying his second Mardi Gras season at 18 months.  Greg tried to copy his hair:

The core group remaining in the evening were kind to humour my request for a sit down dinner at the dining table.  I enjoyed it.  Phew – busy day at 1520 Washington.

We ventured outside the box early on Thoth Sunday to park at Denny and Anne’s and watch the parade on Magazine Street.  Denny and Diana had matching pants:

Anne opted for a more understated outfit:

It was less crowded on Magazine Street than by our house on St Charles – a pleasant change:

We watched a little of the Oscars on Webster Street and then headed home as the box opened in time for the last two or three awards – no big movies that I really cared for this year.

I finished the wonderful “James” by Percival Everett this week.  I highly recommend this unique and creative read.  You’ll remember it’s a reimagining of Huck Finn, told from the enslaved Jim’s point of view.

I started another book, read two chapters and gave up.  Not even worth mentioning the title – it was that bad.  Where do some of these reviewers that recommended it get the gall to waste my time like that?

I heard this song on Diana’s country music channel in the car – I liked the song and looked down and was surprised it was on that channel – a great voice and overall sound:

See – I can keep an open mind about that bro-country station:)

I can’t remember where I heard this, but it brings to mind early 1960s Kinks:

Finally, a wonderful cover of one of my all time favourites:

Coexist peacefully, with patience and kindness for all!

 

 

 

 

Week in Review – February 23rd, 2025

“Movie Week”

Kenny and Denny joined me at the Prytania theater on Monday afternoon to watch the Oscar nominated live action shorts.  These were five short films with quite varied subject matter and styles.

I did get in trouble for talking during one of the films.  We had dinner at La Cocinita to share our thoughts.  No clear agreement.  I thought “I am not a robot” from the Netherlands was the most entertaining.  I think Denny and Kenny preferred “The Last Ranger” about rhino horn poaching in South Africa, but maybe Kenny liked “The Man Who Could Not Remain Silent” from Croatia – that’s the one the critics think will win and was my least favourite.

We did not do well at trivia on Tuesday night.  I believe we were between eighth and tenth.  Things started to go badly when Denny insisted on answering “Is chemical energy an example of potential or kinetic energy?” with kinetic, even after I gave the example of a battery which is stored up or potential energy.  And they got worse from there.  A bad night for the Bayou Boyz.

I talked Kenny into attending the Wednesday morning movie matinee with  me at the Prytania.  The offering this week was “The Conversation”, starring Gene Hackman and directed by Francis Ford Coppola in 1974.

We agreed that this film was pretty slow, with a confusing and convoluted plot line.  Coppola apparently was very committed to writing and directing this movie and only agreed to direct “The Godfather II” after the studio agreed to “The Conversation.”

Kara joined us for lunch at Martin after the movie.

It was a cold and early start for me on Thursday morning – 30 degrees when I left home at 6:30am for my flight to San Francisco.  Diana picked me up at the airport and we resumed the routine of helping Clorinda.

Today was a busy day – visits from cousin Joelle and Jerry, Adam, and Victor and Jennifer – all three at slightly different times.  We made a new recipe – orzo Mediterranean salad – and thankfully had enough for everyone.  This was a good recipe from the New Orleans Times Picayune newspaper.

Diana has fallen way down the rabbit hole of bracelet fabrication.  Look at this whole enterprise and the tools involved:

This all started with a desire to make a “few” Mardi Gras bracelets.

Andy and Jude came down on Friday night.  They are always such great company.  Andy had to make a quick trip home when his new replica of Prince’s Telecaster was delivered.

Jeff and Merry Lee sent some pictures of penguins that they took in Antarctica:

I finished up “Rabbit is Rich” – an enjoyable read but not really my thing, and started “James” by Percival Everret.  This is described as:

#1 NEW YORK TIMES BESTSELLER• NATIONAL BOOK AWARD WINNER • A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and darkly humorous, told from the enslaved Jim’s point of view.”

I’m not far into the book but am enjoying it a lot already.

Here’s an old classic that I heard on the local radio station, WWOZ:

And a couple from a band that’s been around for a long time that  I just heard this week:

Coexist peacefully, with kindness and patience for all!

 

Week in Review – February 16th, 2025

“Mardi Gras – part 1”

I dropped Diana off at the airport early on Wednesday.   Rush hour traffic back from the airport was heavy and I looked around for somewhere to have breakfast and let it die down.  Cafetomas in Kenner was a great underground find – very good coffee and Colombian food.  My huevos rancheros were excellent.

Kara and Kenny very kindly invited me to dinner before the Uncle Lucius show at Tipitinas that evening.  Kara enjoyed the “Garden district” scented candle that I took from the Petit Bleu store.

Kenny and Denny joined me and both seemed to enjoy the show and the opening act,  while Diana was sad to miss it:

“Fess” was sporting his seasonal Mardi Gras crown:

The first Mardi Gras parade of our season, Krewe de Vieux (incorrectly pronounced “Voo” by New Orleanians), rolled on Saturday.  We watched from the starting point in the Marigny – having time to visit with Greg and the Buttercup krewe and Chris Peet (with his Love flag) before they started moving.

This sign made me think of Giancarlo, our family poet:

Little Freddie King, a local blues musician was the head of the parade.

King is 84 years old and has performed at the last 42 Jazzfests.  He is always very snazzily dressed.  More here:

https://en.wikipedia.org/wiki/Little_Freddie_King

Our neighbors, Tony and Britney, walked in the parade and Tony reported that we picked the best place to watch.  He said the French Quarter was pretty crazy and the CBD was mostly college kids.

It was pretty warm and I’m sure Greg was hot in his foghorn leghorn suit:

I watched the Saturday Night Live (SNL) 50th anniversary show on Sunday night.  I’ve read some articles recently that said SNL is really a music show.  That’s not true – there are typically two musical numbers in a 90 minute show, but there have been some amazing ones over the years.

The anniversary show started with Paul Simon performing “Homeword Bound” and ended with an outstanding medley by Sir Paul McCartney, performing with the same band that I saw in Oakland over 20 years ago.

I enjoyed this article about the pop-up shows that McCartney did at the Bowery Ballroom around the SNL show:

https://view.nl.npr.org/?qs=3128089fd697f367e547f248fe0766de68203ad1b222cb5535ebd62ccc5a10d6e97e071010382d6fba00106f74cea421b810dabb902cb6aa3f38ceb1f030e5bb401bdd50c605bd01bf8aacac449653882a35415a48375013

I started “Rabbit is Rich” by John Updike this week.  This won the Pullitzer in 1982.  Here’s an online summary:

“The hero of John Updike’s Rabbit, Run, ten years after the hectic events described in Rabbit Redux, has come to enjoy considerable prosperity as Chief Sales Representative of Springer Motors, a Toyota agency in Brewer, Pennsylvania. The time is 1979: Skylab is falling, gas lines are lengthening, the President collapses while running in a marathon, and double-digit inflation coincides with a deflation of national confidence. Nevertheless, Harry Angstrom feels in good shape, ready to enjoy life at last—until his son, Nelson, returns from the West, and the image of an old love pays a visit to his lot. New characters and old populate these scenes from Rabbit’s middle age, as he continues to pursue, in his erratic fashion, the rainbow of happiness.”

Coexist peacefully, with kindness and patience for all!

 

 

Week in Review – February 9th, 2025

“Super Bowl LIX”

It’s been all Super Bowl news all week!  Such a big deal for the city, and the eleventh time New Orleans has hosted – tied for the record.

 

 

 

We met Jeff and Merry Lee to watch the light show on the St. Louis cathedral on Thursday night.  So impressive!

Here are some pictures that I took of the stills in between the light show:

j

We had a drink at Beachbum Berry’s Latitude 29 afterwards.  Great drinks and food (although not available on this visit.)

The boys made a trip down to the Quarter on Friday afternoon.  We started on the riverfront by the massive yacht that the owner of the Jacksonville Jaguars docked.

 

 

The Hot 8 Brass Band were playing.

They transitioned into “Ain’t No Sunshine”, their good cover of Bill Withers:

We rambled around the Quarter from there, with a fun stop at the “Will and the Way” for drinks and food on the patio.

Merry Lee and Jeff scored tickets to the game and all the pre actitivies:

The Crescent City Connection bridge has been upgraded with LED lights at huge cost and driving disruption.  It does look good:

The game was very one sided but the pre-game songs were excellent.  Trombone Shorty on “America the Beautiful”:

Jon Batiste did an amazing job on the national anthem:

Those were the highlights for me – local musicians on the big stage.  The game was disappointingly one sided.

I finished “Surrender” by Bono of U2 this week.  Really enjoyed the read.

Lots of history of the forming of the band in High School in Dublin, a lot about Bono’s relationship with this father,  a lot about his work to combat hunger and AIDS, and the most poignant passage in the book, for me, is this:

“An hour later in our dressing room Luciano Pavarotti brought the Princess of Wales to say hello, and the first person she met on entering our trailer was Bob Hewson (Bono’s dad).  Approaching six feet in her heels and wearing  the most beautiful coral-white dress, Diana was something else.  The da melted.  The shock of a close encounter with the British royal family quickly became a teenage crush.

“How do you do?” she inquired.

“Lovely to meet you,” he said quivering.  “I’m very well, thank you for asking.”  Eight hundred years of oppression disappearing in eight seconds.

If you’ve ever wondered about the usefulness of royals, I would always point to this incident.  Eight hundred years in eight seconds.”

An absolute classic from Ray Charles:

And another classic from Jackie Wilson:

Coexist peacefully, with kindness and patience for all!

 

Week in Review – February 2nd, 2025

“More of the same”

This week was quite similar to last week – helping to make Clorinda as comfortable as possible as she regains her strength.  The good news is she has a very good appetite and is always so alert and responsiveness when her grandchildren show up:

We did manage to escape for lunch at Puerto 27, a very good local Peruvian restaurant, while Clorinda was at dialysis.  Diana went for comfort food and was very happy with her burger, while I chose an avocado and crab sandwich.

I passed some of the time with the new documentary series about Saturday Night Live on Peacock.  The episode on “More Cowbell” was hilarious and well researched, the episode on the musical guests, a pleasant walk down memory lane.

We flew home to New Orleans on Saturday and were surprised to see the airport so quiet on our arrival before 8pm.  TSA closed, all stores and restaurants closed, so clearly no departing flights.  Seemed unusual.  It will not be like that next week when the Super Bowl comes to town.

We were getting parade updates for Chewbacchus, a walking parade that we’ve enjoyed in previous years.  It has a science fiction geeky theme, and certainly doesn’t take itself too seriously.  We were much too tired to venture into the fray and so missed Kara and Debra in their Wonder Women krewe.  I think McD should join them next year – what are your thoughts?  She just needs a little encouragement and some help with her outfit.

It’s always hard to wind down after a day of travel.  We watched a very good movie, “The Peanut Butter Falcon”, to try and relax and it did the trick.  Great acting and a nicely understated and calm storyline.

The weather today was the best of the year so far – 70 degrees, blue skies, and, most importantly, no humidity.  We celebrated with a couple of laps around Audubon park – always a treat.

I started “Surrender: 40 Songs, One Story” by Bono this week.  I’m about half way through just now, and am really enjoying the read.  The writing is honest and lacks any of the bombast that you might expect, given his public persona.  I’ll share some of my favourite passages next week.  Here’s some of the online chatter:

NEW YORK TIMES BEST SELLER • Bono—artist, activist, and the lead singer of Irish rock band U2—has written a memoir: honest and irreverent, intimate and profound, Surrender is the story of the remarkable life he’s lived, the challenges he’s faced, and the friends and family who have shaped and sustained him. • VOGUE BEST BOOK OF THE YEAR

“A brilliant, very funny, very revealing autobiography-through-music. Maybe the best book ever written about being a rockstar.” Caitlin Moran, award-winning journalist
 
“When I started to write this book, I was hoping to draw in detail what I’d previously only sketched in songs. The people, places, and possibilities in my life. Surrender is a word freighted with meaning for me. Growing up in Ireland in the seventies with my fists up (musically speaking), it was not a natural concept. A word I only circled until I gathered my thoughts for the book. I am still grappling with this most humbling of commands. In the band, in my marriage, in my faith, in my life as an activist. Surrender is the story of one pilgrim’s lack of progress … With a fair amount of fun along the way.” —Bono
 
 As one of the music world’s most iconic artists and the cofounder of the organizations ONE and (RED), Bono’s career has been written about extensively. But in Surrender, it’s Bono who picks up the pen, writing for the first time about his remarkable life and those he has shared it with. In his unique voice, Bono takes us from his early days growing up in Dublin, including the sudden loss of his mother when he was fourteen, to U2’s unlikely journey to become one of the world’s most influential rock bands, to his more than twenty years of activism dedicated to the fight against AIDS and extreme poverty. Writing with candor, self-reflection, and humor, Bono opens the aperture on his life—and the family, friends, and faith that have sustained, challenged, and shaped him.
 
Surrender’s subtitle, 40 Songs, One Story, is a nod to the book’s forty chapters, which are each named after a U2 song. Bono has also created forty original drawings for Surrender, which appear throughout the book.”

I didn’t save off any new songs this week – that’s a first.  Not sure why.  Here’s a classic that was in the soundtrack to a movie I was watching, can’t remember which one:

The wonderful guitarist, Julian Lage, has a new album out with a lot of very varied content:

Coexist peacefully, with kindness and patience for all!

 

 

 

 

Week in Review – January 26, 2025

“So Much Snow!”

New Orleans experienced the most snow since 1895, with almost ten inches falling on Tuesday into Wednesday.  We spent the week in Pacifica and missed all the fun.  Our friends and neighbors kept us updated with photos of the house, front steps and car.

Our neighbour, Auggie, had a great time in the snow:

He was kind enough to shovel our steps, so that “his friends won’t fall.”

Here are a couple of landmarks that haven’t seen snow in a while:

Auggie made a snowman with the snow that was left in our yard on Thursday  morning:

This is all that was left of it this morning when Anne went by to empty our fridge:

It is amazing how much the city completely shuts down with snow and ice.  They really don’t have any equipment at all to deal with it.  I10, the main East/West Interstate that runs through New Orleans, was closed until Friday.

From Your Orthodontist 
Greetings One and All!

Although most of you know that I consider Gottsegen Orthodontics to be the Waffle House of tooth shoppes, whereupon conditions must be essentially catastrophic for us to close down on a normal business day, we are forced to do so from time to time. Major hurricane? Check. Global pandemic? Sure. Unexplained, random, never-apologized-for Entergy outage? You betcha. But a blizzard? That actually might stick for a few days?? In New Orleans??? Come on, Man.

However bizarre these circumstances might be, the talking heads have assured us that, yes, this is going to happen, and it looks like mid-day Tuesday is showtime. What they can’t tell us with accuracy yet is how much snow to expect on the Southshore, when its actually going to start, and how long it’s going to be a problem for.

Here’s my current thought process: Tomorrow, Monday, will be business as usual. Cold but dry. So if you have an appointment with us in Metairie, please come as scheduled – we’ll be there from 1-5.

Tuesday will be closed. I’d love to be open in the morning, but there’s too much uncertainty around the timing of things and I don’t want to leave any of you nor our staff having to drive in precarious conditions. That said, I live near the Uptown office and will be available to handle any issues or emergencies any of you might be experiencing if you can get to me – I can walk there if needed. And my staff will start calling all of you with Tuesday appointments tomorrow to reschedule you. Please understand that our schedule is tight as usual and we’ll get you in as soon as we can but it’s going to require some flexibility on all of our parts – we’ll likely work through lunch some days to catch up but it might be a couple of weeks before we can fit you in somewhere convenient to you. Please be kind to our scheduling team – none of this is their fault.

The rest of the week is still up in the air. Depending on temperatures and how much snowfall we actually see, we’ll determine Wednesday morning about how we handle Wednesday afternoon – and I’ll email you all with updates as we get them, so please check your Inbox periodically. I’m operating on the assumption that Thursday will be fine and running at full steam but again, the situation is fluid.

If any of you need to speak to me directly or have a clinical issue that requires immediate attention, please send a text to either 504-895-4841 or 504-454-6272 – it’ll come right to my cellphone and I’ll respond to you as quickly as possible. This does not include questions about rescheduling – my front office staff will be handling all of that tomorrow and whenever we’re able to get back to the office, so please don’t ask me when we can move you to because I honestly don’t iknow!

So wrap dem pipes, bundle yourselves up, put sweaters on your dogs and let’s all make the most of what will certainly be a couple of rare, beautiful days in the Deep South! Thanks for understanding – I hate having to do this as much as you do!

Yours truly,

Brad Gottsegen

A big thanks to Kenny and Kara for making sure our house was prepped for the storm.  Water shut off, pipes drained, and food delivery stowed in the freezer – thanks guys!

Clorinda came home from the hospital on Wednesday afternoon, after a two week stay.  She is very happy to be home to her normal surroundings and pretty views.  A lot of work for Diana, with me providing “hoisting services” every few hours.

I snuck out for a while on Thursday and met Will and Ollie for lunch in Redwood City.  Will chose Mazra, a Mediterranean and tapas restaurant.  We started with yummy cauliflower:

 

 

 

And then Will ordered what Marco described as “dinner for four.”  We had plenty of leftovers.

The rest of the week has been a consistent routine of making Clorinda as comfortable as possible.  She always brightens up when the grandkids visit.  Francesca thought it was fun to steal my phone and make a video that I didn’t see until the next morning.  Always up to something.

With a bit of extra time on my hands, and no buddies to hang out with, I was able to watch a few movies that I really enjoyed.

“A Real Pain” was a very good story about two buddies (Jessie Eisenberg and Kieran Culkin) on a guided tour of Poland.  I was trying to figure out who the lady on the tour was – looked very familiar.  Had to look it up to find it was Jennifer Gray of “Dirty Dancing” fame.

“The Storied Life of A.J. Fikry” was the next movie I enjoyed.  It’s a quiet movie about a bookseller on a remote North Eastern island.  Recommended.

The last movie that I’ll share was “The Fundamentals of Caring.”  Paul Rudd is a caregiver for a disabled child.  Highly recommended.

I finished “Martyr” by Kaveh Akbar this week.  All these great reviews had me excited for the read:

“NEW YORK TIMES BESTSELLER • SHORTLISTED FOR THE NATIONAL BOOK AWARD • ONE OF THE NEW YORK TIMES BOOK REVIEW’S 10 BEST BOOKS OF THE YEAR • ATIME MUST-READ BOOK OF THE YEAR • A newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a remarkable search for a family secret that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Electrifying, funny, and wholly original, Martyr! heralds the arrival of an essential new voice in contemporary fiction.

“Kaveh Akbar is one of my favorite writers. Ever.” —Tommy Orange, Pulitzer Prize–nominated author of There There.”

I found the first 280 pages to be a real slog for me.  The last 50 or so pages brought a lot of things together and made for an enjoyable conclusion.  I would recommend skipping this one.
I came across these speakers this week and thought the design was very cool.  Further research showed they cost $250K – what?
We’re always excited when the Jazzfest schedule is published.
Nobody earth shattering but several good options – particularly further down in the lineup.
King Crimson released a bunch of live shows this week.  The setup with the three drummers up front is very enjoyable:

https://www.youtube.com/watch?v=EGJStoFB6qU

Garth Hudson of The Band died this week.  He was the last living member, and the genius musician behind a lot of the arrangements.  Robbie Robertson used to take music lessons from him when the band was first forming.

Here’s one of their songs that features his organ and keyboard skills:

Something from New Orleans pianist, Kyle Roussel:

Coexist peacefully, with patience and kindness for all!

 

Week in Review – January 19th, 2025

“Back to Pacifica, CA”

On Monday, we walked to Walgreens to drop off a Kate Spade FedEX return.  I bought Diana an iPhone bracelet for Christmas and it’s the wrong size.  I got quite confused and called Kendra Scott to ask about it, prior to realizing that the bracelet was actually from Kate Spade.  I even tried to visit the Kendra Scott store for help, before realizing I had made the same mistake twice.

After the walk, we drove over to Frenchy’s gallery on Oak Street to look at a painting that he did of Jon Batiste at Jazzfest last year.  We had a very nice visit with Frenchy, just back from the Big Easy music cruise.  He told us stories and showed the paintings he made on the cruise.  I liked the Marcia Ball one, and he also had a great one of Keb Mo.

We liked the Jon Batiste painting very much – it captures the show that we saw at Jazzfest very well.  It is now hanging on the wall behind my piano.

Frenchy said he snuck Tab Benoit in as the middle marching Jazzfest guy.

Here’s some biographical information on Frenchy:

“Born to a boxer and a saint on August 16th, 1970, in Lowell, MA, Randy Leo Frechette – a.k.a Frenchy – has been drawing since he could grip a pencil.
In grade school he impressed friends with caricatures, but he realized his true calling when The Boston Horns persuaded him to paint their Orlando performance LIVE. Since that day, Frenchy’s presence has filled venues around the globe with an explosion of creative spirit.
New Orleans has been his home, and his muse, since 1997, where the eclectic street and music scene continuously inspire his creative expression. Immersed into the sights and sounds of New Orleans, he could be found in music clubs such as the Maple Leaf Bar almost any night, mastering his “acousti-optics” with musical legends such as the Grammy Award-winning ReBirth Brass Band and more.”
I really enjoy seeing the painting each time I come in the front door.
We dropped “Table for Two” by Amor Towles off to Kenny after Frenchy.   After that I tried Mint for a Vietnamese lunch – closed on Monday.  Val’s Oaxacan Mexican was our backup.  Delicious – mushroom queso fundido and an empanada for me, very unique and creative nachos for Diana.

Julia dropped off these pretty tulips as a get well from back surgery gift:

Clorinda was admitted to the hospital again, and so we flew to San Francisco on Wednesday afternoon.  We spent the majority of the rest of the week shuttling back and forward to Mills Peninsula hospital to spend time with her.  The NFL playoffs provided a little bit of distraction:

Alicia shared the annual report from her work with us.  She had a big part to play in the content and layout, with particular attention on the Director’s message.  Communivercity seems like a wonderful organization that brings together Community, University (San Jose State), and City in partnership to solve problems and encourage our youth.

It’s nice to see Alicia so happy and rewarded by such a worthwhile job.

My sister Elspeth’s birthday was on Sunday.  I enjoyed telling her that it was also:

My first book this week was “Walking with Sam:  A Father, a Son, and 500 Miles across Spain,”  by Andrew McCarthy:

“Andrew Thomas McCarthy is an American actor, travel writer, and television director. He is most known as a member of the Brat Pack, with roles in 1980s films such as St. Elmo’s Fire, Pretty in Pink, Mannequin, and Weekend at Bernie’s. He is ranked No. 40 on VH1’s 100 Greatest Teen Stars of all-time list.”

The book had me remembering a wonderful movie, “The Way”,  where Martin Sheen walks the Camino de Santiago with his son filming and directing.  A great movie, and this is a pretty good book.  A quick and enjoyable read.

McCarthy’s son takes a while to settle in to the routine of the walk and to feel comfortable opening up to his dad:

“Then—I’m not sure exactly how—the topic turns to school. “School lowered what I perceived I’m capable of,” Sam says. “It did me more harm than good.” There is suddenly real emotion in his voice, real hurt. This is not fresh hurt, like the hurt he has been working through regarding The Ex, but a more saturated hurt. A hurt he has carried for years, for most of his life. It is the hurt born of lazy definition and judgment thrown heavily upon him like a wet overcoat. A hurt that blindsided him, then threatened to define him. His is the hurt of someone who was misunderstood and dismissed out of hand, before he had a chance to define his own experience. It is a hurt that, for a time, came closer to swallowing my son than I knew. It is a hurt with calcified edges.”
A fellow walker comments on the father-son relationship of the McCarthys:
“James nods. We sit. “I want to thank you,” he says softly. “For what?” “For showing me what a father-son relationship can be.” I wave the remark away. “You don’t see us when I’m trying to get him out of bed, or when I’m tired, or when he’s hungry, or, or, or…” “Just accept the love.” James smiles, throwing my words back at me. “I’ve wanted to walk this with my son… so thank you.” I sit with his remark. “You two talk about a lot, don’t you?” he begins again.”
McCarthy really opens up to his son:
“I went to my dad while he was dying, after years of estrangement. His eyes betrayed him, his terror. I took his cool, now lizard-like, hand in mine. I wanted to let go but didn’t. I sat with him. I apologized for not being the son he had wanted.  I loved him. When we were beyond words, we released our past—let it fall to rot on the ground where it belonged. More than a vestige of love remained. I had gone to my father selfishly—and it must be said, at my wife’s urging. I did so that I might be a better father to my own children. The gifts children bear us are complex. Sam hurries to catch up. “Wow, Dad.” “I’m sorry, Sam. I shouldn’t have spoken like that.” I shake my head. “I’ve learned nothing.” “No, you were right.” “That doesn’t matter.” We walk. “Dad?” “Yeah?” “Your Spanish has gotten really good.””
As the duo approaches the end of the 500 mile trek, they are joined by many more walkers who are just doing the final section and haven’t endured the full experience:
“Older couples march with determination. Teens whoop and holler. Long-haul pilgrims stride with confidence. Gone is any resentment over newbies or interlopers to the trail. “All these people,” Sam says, “this is so cool.” He begins to sing Bruce Springsteen’s “The Promised Land,” loudly. Mister I ain’t a boy, no I’m a man And I believe in a promised land.”
On completion of the 500 miles:
“We order Coke and coffee. I go into the bathroom and, as the door locks behind me, I’m surprised by a burst of sobs. Relief, sadness, joy, somehow disappointment, confusion, exhaustion, exhilaration, comingle—the awful truth of the sweetness of life throbs in an unguarded mix of emotions.”
I’m about halfway through my second book, “Martyr” by Kaveh Akbar.
Here are some online reviews:

NEW YORK TIMES BESTSELLER • SHORTLISTED FOR THE NATIONAL BOOK AWARD • ONE OF THE NEW YORK TIMES BOOK REVIEW’S 10 BEST BOOKS OF THE YEAR • ATIME MUST-READ BOOK OF THE YEAR • A newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a remarkable search for a family secret that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Electrifying, funny, and wholly original, Martyr! heralds the arrival of an essential new voice in contemporary fiction.

“Kaveh Akbar is one of my favorite writers. Ever.” —Tommy Orange, Pulitzer Prize–nominated author of There There

“The best novel you’ll ever read about the joy of language, addiction, displacement, martyrdom, belonging, homesickness.” —Lauren Groff, best-selling author of Matrix and Fates and Furies

Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed.”

I have mixed feelings about the book so far – hasn’t really sucked me in too well.  Hoping for a pick up in the second half.
The New Orleans Jazzfest 2025 lineup was announced this week, and it includes the jamband Goose.  I heard a great set from them on my friend Matt’s Houston radio show a few weeks ago.  I’ve been doing some listening, and am not sure I love them – a bit too much sameness to the guitar noodling.  What do you think?
And yes, I’m having trouble embedding Spotify links over the last two weeks – always upgrading and breaking things.  After an hour or so of putzing around, I think it’s fixed:
I do like this Goose song quite a bit:
And finally, something from the latest Chuck Prophet album.  We were supposed to go and see him at Chickie Wah Wah on Thursday night, but will have to wait on the next tour now:
Coexist peacefully, with kindness and patience for all!

Week in Review – January 12th, 2025

“Carnival Kick-off”

We just took down Christmas and now it’s already time to put up Mardi Gras.  Here’s some helpful information on when Carnival starts and how Mardi Gras Day is decided:

“As the new year rolls in, a much more important holiday for New Orleanians follows closely on its heels: Twelfth Night, the official start of Carnival season in the Crescent City.

Each year on Jan. 6, as other Americans are taking down their Christmas decorations, residents in New Orleans and other parts of the Gulf South start hanging Mardi Gras beads and ordering their favorite king cakes.

As the name suggests, Twelfth Night always comes twelve days after Christmas, no matter where Fat Tuesday falls on the calendar. Though the tradition has evolved into a night of revelry and a kickoff to the celebratory season, the holiday’s roots lie in Christianity.

In the Christian tradition, Twelfth Night is also known as the Epiphany. On this day, believers celebrate the Magi, aka the three kings, visiting baby Jesus with gifts of gold, frankincense and myrrh.

But some historians say the post-Christmas celebration stretches back even further to Roman and Celtic times.

Twelfth Night celebrations reached their height during medieval times, according to a 2021 article form History.com. The day served as the exciting end to the Christmas season and as a time when social cues were turned upside down as mischief and revelry were celebrated.

Europeans living in the Middle Ages also celebrated the holiday with a special cake that contained a bean or another trinket hidden inside. Whoever found the trinket was king or queen for the day and would be responsible for hosting the party next year. Sound familiar?

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The Krewe de Jeanne d’Arc parades through the French Quarter of New Orleans on Saturday, January 6, 2024. (Photo by Chris Granger, The Times-Picayune)

How it’s celebrated now

Instead of being the culmination of the Christmas holiday, Twelfth Night in New Orleans is just the beginning of a season full of parties, merriment and costumes.

Many also consider it to be the first acceptable day to bite into a king cake. These days we’ve traded the bean for a plastic baby, thanks to Donald Entringer, owner of McKenzie’s Bakery.

From there, parades and celebrations will continue throughout Carnival season until Mardi Gras Day, which lands on March 4 in 2025.

New Orleans residents and visitors will be able to don purple, green and gold for a little longer during the 2025 Mardi Gras season, which will last over twice as long as last year’s celebrations.

Longer season this year:

The beginning of Carnival season always takes place on Jan. 6, the 12th night after Christmas. But the actual Mardi Gras holiday depends on Easter and the moon.

Mardi Gras is celebrated the day before the Christian holiday of Ash Wednesday. This year, it won’t happen until March 4, leaving revelers with over eight weeks to celebrate the season.

Last year, Mardi Gras fell on Feb. 13, limiting the Carnival season to just 28 days.

Fat Tuesday routinely falls 47 days before Easter (since Sundays are not counted in the 40 days of Lent), and is held the Sunday following the first full moon after the spring equinox.

An equinox, known as the vernal equinox during spring, occurs when the sun is directly above the equator and day and night are of equal length. This happens twice a year, once in March and once in September.

This year, the spring equinox is March 20, and the first full moon to follow it will be April 13. That means Easter will fall on the next Sunday, April 20, leaving us with a March Mardi Gras date.

We braved the chilly weather on Monday (Twelfth Night) to greet the Phunny Phorty Phellows short streetcar parade.   It’s one of those where you wait around for a while and then it’s past in a minute.  Diana had constructed a special hat from various prior year accoutrements.  I sported the new purple hat the boys gave me for Christmas.
Before braving the cold, we watched the memorial services attended by President and Jill Biden.  They laid flowers at the Bourbon Street memorial, met with families, and then attended a multi-faith service at St. Louis cathedral.
Gail Benson carried the first tribute candle down the aisle, followed by relatives and friends of those lost:
The President gave a short and effective speech to end the very sad proceedings.
Tuesday was mostly consumed with Diana’s back surgery.  We arrived at the hospital at 9am and left a little after 4pm.  The actual procedure didn’t take too much over an hour.  Here’s McD with her space blanket prior to being rolled off to the holding area:
I was confident I had time to sneak out for breakfast and tried the Bearcat Cafe – just a few hundred feet from the hospital.  I enjoyed the food and thought it was a bit expensive and overly hipstery.  I did manage to get some good reading and viewing time in the waiting room for several hours.  The colour coded system to tell you what was happening with the patient, and the text messaging system, worked spottily.
I talked to the surgeon right after she finished and she reported that all had gone well.  The bulging section of the disc was larger than she had anticipated (MRI was from a few months ago), but she got it all out.  Diana seems to be recovering quite well.
Meanwhile, in Steamboat, Colorado, the Ogans and Kirsches were enjoying the first sunny day of their ski trip:
How’s Hamish doing these days?  Well, based on these photos, he seems to be blossoming very nicely:
On Thursday, we took the dressing off Diana’s incision site and cleaned off the iodine and left over glue from the EKG stickers.  All looks good and her recovery seems to be going very well.  Just a bit of lingering pain at the incision site if she sits on a seat that puts pressure on it.
Frenchy has a painting of Jon Batiste at the 2024 Jazzfest that I think would look great behind my piano.  I had been in touch with him, and he said to go by the gallery and look at in the window.  We did that but couldn’t see it – typical Frenchy.  I’ll swing by when the gallery opens again on Monday.
Since we were on Oak Street, we stopped into Juan’s Flying Burrito for lunch.  Their Luau quesadilla (shrimp, bacon, etc) is always delicious.    After that we returned home and then walked over to Aidan Gill for a haircut for me (somewhat overdue, but not as much as a beard trim according to McD.)
I finished up the day by hanging the Mardi Gras flag and bunting.
Diana tried out her new puzzle board and Christmas puzzles as she recuperated.  The penguin puzzle has so many interestingly shaped pieces – lots of penguins.  Diana left one piece for me to finish – a la Denny.
On Friday we made a visit to the New Orleans Athletic Club and then enjoyed lunch at 1,000 figs.  Their falafel plate is excellent and plenty to split between two.
We had the guys and Kara over to watch the UT and Ohio State game on Friday night.  Diana made pigs in the blanket, wings and jambalaya.  Thom brought some Midway pizzas.  We were well fed, even if the result of the game wasn’t to our liking.
On Saturday, we made a trip over to Bright Eyes Optique for Diana to check out new contacts and for us both to get new lenses and frames with our new prescriptions.  Diana got some fun purple coloured sunglasses.
Diana finished her second puzzle (minus the “Denny piece”) – this one is of the flatirons behind Boulder.
I watched a few entertaining movies this week.  The first “Feast of the Seven Fishes” was a direct flashback to Christmas Eve – some classic scenes that took me directly to the kitchen at 1, Gyspy Hill Rd, Pacifica.
Then, “The Company You Keep” with an amazing ensemble cast – Robert Redford, Julie Christie, Susan Sarandon, Shia LeBeouf, Nick Nolte, Anna Kendrick, Stanley Tucci, Chris Cooper.  Are you kidding me?  It’s as if they asked me for several of my favourite actors and put them all together in a movie.  I’m not sure the story lived up to all the star power, but it was an entertaining watch:
And finally, “Brexit – The Uncivil War”.  This was a good insight into the work done behind the scenes that swayed the vote towards “Leave.”  Benedict Cumberbatch is excellent as always, and the story provides some great views into what might have happened:
I finished Amor Towles “Table for Two” this week.  So many folks have told me they either liked the short stories, or the novella, but nobody liked both.  I really enjoyed all of it.  “I Will Survive” and “The Bootlegger” were my favourites of the short stories.  Towles characters and observations are just so well done.
I finished up the “Wonder of Stevie” podcast series – highly recommended.  This horn section intro always makes me smile:
I listened to “Innervisions” and “Songs in the Key of Life” this week.  Such amazing music, and to think he played the majority of the instruments on all of these in his early twenties.
Something from the new Mark Knopfler release – he just keeps turning out great music with his unmatched guitar:
Something from a relatively new Marcus King release.  I much prefer his solo material to his band output:
Coexist peacefully, with patience and kindness for all!

Musical Research – Afrobeat Part 1

Afrobeat is a genre of music that blends traditional African rhythms with jazz, funk, highlife, and soul influences. It originated in the 1960s and 1970s, primarily in Nigeria, and became a significant cultural movement that reflected the political and social dynamics of West Africa. At its core, Afrobeat music was shaped by the need to create an expression that was uniquely African while incorporating elements from Western music traditions. This report provides an in-depth exploration of Afrobeat, focusing particularly on the roots of Nigerian and Ethiopian 1970s music, its evolution, and key artists and songs.


1. Introduction to Afrobeat Music

Afrobeat is a music genre that emerged from Nigeria in the late 1960s and 1970s, pioneered by Nigerian multi-instrumentalist Fela Kuti. It combines jazz, funk, highlife, traditional African rhythms, and soul music. The genre not only represents a sound but also encapsulates a revolutionary spirit, with its roots deeply intertwined with political activism, societal movements, and cultural identity.

Afrobeat music is characterized by large ensembles, complex polyrhythms, intricate horn sections, and the fusion of indigenous African instruments with Western instruments like the electric guitar, saxophone, and keyboards. The lyrics of Afrobeat are often socially and politically charged, tackling issues like corruption, poverty, and government oppression in African nations.

1.1 Origins of Afrobeat

Fela Kuti is widely credited as the founder of Afrobeat. Fela was born in 1938 in Abeokuta, Nigeria, and studied music in London, where he was exposed to jazz and funk. His return to Nigeria in the late 1960s saw him creating the band Koola Lobitos, where he started experimenting with different styles. Over time, Fela’s music evolved into a distinct blend of African highlife rhythms, jazz improvisation, and funk grooves.

1.2 Defining Features of Afrobeat Music

Afrobeat music is distinct in its use of rhythm and time signatures. Typical Afrobeat songs feature polyrhythmic drumming, long instrumental sections, and the use of call-and-response vocals. Fela’s songs, often ranging from 10 to 20 minutes long, reflect this extended and complex structure. The music is typically upbeat and danceable, though the lyrics address serious social issues.


2. The Role of Nigerian Music in Afrobeat Development

Nigeria’s diverse musical heritage, spanning traditional folk music, highlife, and Western influences, played a pivotal role in the development of Afrobeat. In the 1970s, Nigerian music was influenced by both local rhythms and global musical trends.

2.1 Nigerian Highlife Music

Highlife music, which combines traditional African sounds with Western instruments like the guitar, trumpet, and saxophone, was influential in shaping Afrobeat. Highlife was particularly popular in the 1950s and 1960s and laid the groundwork for Fela Kuti’s later innovations. Early Nigerian musicians such as Chief Stephen Osita Osadebe and Victor Olaiya popularized highlife, a style that would blend easily with the emerging Afrobeat sound.

2.2 Influence of Jazz and Funk on Nigerian Music

In the 1960s, Nigerian musicians began incorporating jazz and funk elements into their music. Fela Kuti was exposed to jazz music during his time in London, and he brought this genre’s improvisational nature into the fold of Nigerian music. The use of extended instrumental solos, syncopated rhythms, and complex horn arrangements were all elements of jazz that contributed to the distinctiveness of Afrobeat.


3. Ethiopian Music and Its Contribution to Afrobeat

While Nigeria is the birthplace of Afrobeat, Ethiopian music from the 1970s had a significant impact on the genre. Ethiopian musicians were not isolated from the global music scene, and the 1970s saw a wave of music innovation within the country, particularly in jazz and funk.

3.1 The Ethiopian Sound in the 1970s

In the 1970s, Ethiopian music was characterized by its unique pentatonic scale, modal melodies, and a fusion of traditional and modern sounds. Artists like Mulatu Astatke, known as the father of Ethio-jazz, blended traditional Ethiopian rhythms and scales with jazz improvisation. This fusion of traditional African and Western elements is what made Ethiopian jazz distinct and influential.

Mulatu Astatke’s work in particular is often cited as a key influence on the development of Afrobeat. His pioneering work in creating Ethio-jazz, which combines jazz with Ethiopian pentatonic scales, helped lay the foundation for Afrobeat’s fusion of African rhythms with jazz and funk.

3.2 Impact of Ethiopian Jazz on Afrobeat

Ethiopian jazz’s influence on Afrobeat can be seen in the incorporation of jazz instruments, like the saxophone and trumpet, into Afrobeat bands. Additionally, Ethiopian jazz’s use of unconventional time signatures and modal harmonies resonated with Fela Kuti’s experimentation with rhythm and structure. The Ethiopian sound contributed to the depth and complexity of Afrobeat’s arrangements, helping define its global appeal.


4. Key Artists in Afrobeat’s Evolution

While Fela Kuti is the most well-known figure in the Afrobeat genre, several other artists contributed significantly to its development. These musicians helped popularize Afrobeat and further expand its reach both within Africa and globally.

4.1 Fela Kuti

As the founder of Afrobeat, Fela Kuti’s impact cannot be overstated. His music became anthems for political activism, with songs like “Zombie” and “Water No Get Enemy” becoming rallying cries for resistance against corruption and dictatorship. Fela’s musical genius and his bold critique of African governments made him a hero for many in Africa and the African diaspora.

Fela’s style incorporated elements of highlife, jazz, funk, and traditional Nigerian rhythms. His powerful, often controversial, lyrics addressed topics like political corruption, human rights abuses, and the struggles of the African people. Fela’s ability to blend music with activism made him one of the most iconic figures in Afrobeat and one of Africa’s greatest musicians.

4.2 Tony Allen

Tony Allen was a Nigerian drummer who played a key role in the creation of Afrobeat. As the drummer for Fela Kuti’s band, Africa ’70, Tony Allen’s rhythmical innovations were integral to Afrobeat’s distinctive sound. His drumming style, characterized by complex polyrhythms, syncopated beats, and constant motion, laid the foundation for many of Afrobeat’s rhythms.

4.3 Other Afrobeat Artists

In addition to Fela Kuti and Tony Allen, other musicians contributed to the spread and evolution of Afrobeat. These include:

  • Antibalas: A Brooklyn-based Afrobeat band that helped bring the genre to a global audience in the 2000s.
  • Seun Kuti: Fela’s youngest son, who has carried on his father’s musical legacy while incorporating his own ideas and themes into Afrobeat.
  • Femi Kuti: Another of Fela’s sons, Femi has also contributed significantly to the genre with his own take on Afrobeat, blending funk, soul, and jazz with traditional African rhythms.

5. Afrobeat and Globalization

In the 1990s and 2000s, Afrobeat began to spread beyond Africa, gaining recognition in Europe, the United States, and other parts of the world. Artists like Antibalas and Seun Kuti played a significant role in introducing Afrobeat to a global audience. Furthermore, the genre’s fusion of funk, jazz, and African rhythms resonated with music enthusiasts worldwide.

Afrobeat’s influence can also be seen in the music of contemporary artists such as Burna Boy, Wizkid, and Mr. Eazi, who incorporate Afrobeat rhythms and themes into modern African pop, dancehall, and hip hop. Afrobeat’s reach has continued to grow, and today it is one of the most significant global music genres.


6. Musical Samples and Links to Afrobeat Music

To better understand Afrobeat music, here are links to some notable songs:

6.1 Fela Kuti – “Water No Get Enemy”

Water No Get Enemy – Fela Kuti
This classic song by Fela Kuti is a perfect example of his unique Afrobeat style, combining intricate rhythms with a message of unity and resilience.

6.2 Tony Allen – “Secret Agent”

Secret Agent – Tony Allen
Tony Allen’s drumming and musical innovations shine in this track, showcasing the rhythmic complexity that defines Afrobeat.

6.3 Mulatu Astatke – “Yekermo Sew”

Yekermo Sew – Mulatu Astatke
This track exemplifies the fusion of Ethiopian pentatonic scales and jazz improvisation, demonstrating the influence of Ethiopian music on Afrobeat.

6.4 Antibalas – “Dirty Money”

Dirty Money – Antibalas
A modern Afrobeat group, Antibalas has helped bring the genre to international audiences, blending traditional Afrobeat with modern sensibilities.


7. Conclusion

Afrobeat is a genre that has grown from the innovative experimentation of Fela Kuti and his contemporaries into a global phenomenon. By blending indigenous African rhythms with jazz, funk, highlife, and soul, Afrobeat created a sound that resonated with the struggles of African people while also pushing boundaries in music. Nigerian and Ethiopian music of the 1970s played a critical role in Afrobeat’s development, laying the foundation for the genre’s global expansion. Today, Afrobeat remains one of the most influential musical movements in the world, continuing to inspire new generations of musicians and fans alike.