Jonathan Michael Batiste: A Life in Music and Meaning
Early Years and Musical Foundations
Jonathan Michael Batiste was born on November 11, 1986, in Metairie, Louisiana, and raised in Kenner in the greater New Orleans area. He was born into a storied New Orleans musical family: the Batiste name carries weight in the city’s jazz and brass band traditions, with many extended relatives active in the local music scene.
Performance journey: he played percussion and drums in the Batiste Brothers Band, a family ensemble. When his mother suggested he try piano, he began formal classical lessons at about age eleven, studying with local teacher Shirley Herstein. Alongside formal study, he developed his ear by transcribing and playing video game music (e.g. Final Fantasy, Street Fighter, Sonic) — a practice that sharpened his musical versatility.
Jon attended St. Augustine High School and the New Orleans Center for Creative Arts (NOCCA), graduating in 2004. He then moved to New York City to enter the Juilliard School, where he earned both a Bachelor of Music (jazz) in 2008 and a Master of Music in 2011. These years in New York exposed him to broader musical networks and styles, expanding his ambitions beyond New Orleans.
Career Trajectory: Stay Human, Television, and Beyond
Formation of Stay Human & Early Recordings
Soon after arriving in New York, Jon formed a trio with bassist Philip Kuehn and drummer Joe Saylor. This core trio later expanded (including saxophonist Eddie Barbash) into the group Stay Human. One of their earliest releases was an EP titled My N.Y. — recorded in a “busker style,” using street performances and subway settings as a recording platform.
In 2013, Stay Human released Social Music, an album grounded in Jon’s philosophy of music as a force for connection and social uplift. Over time the band released several albums: Christmas with Jon Batiste (2016), Hollywood Africans (2018), We Are (2021), World Music Radio (2023), and Beethoven Blues (Batiste Piano Series, Vol. 1) (2024). Their sound fuses New Orleans jazz, R&B, soul, pop, and elements of hip hop — a genre‑fluid approach that resists labeling.
The Late Show and National Spotlight
Batiste and Stay Human first appeared on The Colbert Report in 2014, and soon thereafter were tapped to serve as the house band on The Late Show with Stephen Colbert, beginning with the show’s 2015 launch. Jon served as musical director and bandleader through 2022. Their nightly musical intros, outros, and interstitial performances brought Batiste’s style into millions of homes. In 2016 they released The Late Show EP, a collection drawn from the show’s musical interludes. In August 2022, Jon announced his departure from the show to pursue other creative avenues.
Film, Composition & Collaborations
Batiste’s compositional reach expanded into film. Most notably, he co‑composed the score for Pixar’s Soul (2020), alongside Trent Reznor and Atticus Ross. That collaboration earned him an Academy Award, a Golden Globe, a Grammy, and a BAFTA. That Oscar win made him only the second Black composer to win in the original score category (after Herbie Hancock).
He has also composed for other films (e.g. Spike Lee’s Red Hook Summer) and contributed music to documentaries and television. Batiste’s compositional ambition led him to produce American Symphony (premiered September 2022 at Carnegie Hall), a symphonic work chronicling his life and identity. In parallel, the 2023 documentary American Symphony (directed by Matthew Heineman) follows Jon’s creative journey as he composes this symphony while his wife, Suleika Jaouad, faces a leukemia relapse.
He has collaborated broadly across genres, working with artists such as Alicia Keys, Stevie Wonder, Prince, Lenny Kravitz, Ed Sheeran, Lana Del Rey, Mavis Staples, and many others.
Impact, Recognition & Personal Life
Awards and Honors
Jon Batiste has accrued many accolades. He has been nominated for more than twenty Grammy Awards, winning multiple. In 2022, his album We Are won Album of the Year among other awards. He has also been honored with titles such as Steinway Performing Artist, the Movado Future Legend Award, and has received honorary degrees and lifetime achievement awards. He has held institutional roles, including serving as Music Director of The Atlantic and Creative Director of the National Jazz Museum in Harlem.
Social Engagement & Advocacy
Beyond performance, Batiste sees music as a tool for social connection, equity, and justice. He supports organizations like the Equal Justice Initiative, the Innocence Project, and the NAACP Legal Defense Fund. In the wake of George Floyd’s murder and the Black Lives Matter movement, he led and participated in peaceful protests and used his platform to call for change.
His single “We Are” was not just a musical statement but also a philanthropic vehicle: proceeds supported the Equal Justice Initiative.
Personal Life & Recent Highlights
Jon Batiste is married to writer and cancer advocate Suleika Jaouad. Their relationship and personal challenges are central to American Symphony. Their song “It Never Went Away” from the documentary was nominated for an Academy Award.
In February 2025, Batiste performed a distinctive arrangement of the U.S. National Anthem at Super Bowl LIX in New Orleans — a performance that incorporated elements reflecting his Louisiana roots and symbolic artistry. Also in 2025, he released the song “Petrichor”, commemorating the 20th anniversary of Hurricane Katrina and urging climate awareness and action.
He has embarked on a new headlining tour, Big Money Tour: Jon Batiste Plays America, featuring music from Beethoven Blues and unreleased material.
Musically, Beethoven Blues (Batiste Piano Series, Vol. 1) (2024) marks a more introspective turn: reimagining Beethoven through his own lens, fusing classical with jazz and blues sensibilities.
Legacy & Forward Look
Jon Batiste is one of the most compelling voices in modern American music — rooted in tradition, yet unabashedly forward‑looking. His career reflects a synthesis: of New Orleans jazz heritage and contemporary genres; of performance and activism; of public visibility and introspective art.
He offers a model of the musician as citizen: someone whose art intersects with the social, political, and emotional lives of communities. His ability to operate across mediums — television, film, symphony, popular albums — while maintaining sincerity is rare.
As he continues, one can expect bold new compositions, further cross‑genre collaborations, and art that remains both deeply personal and broadly connective. Whether he composes large orchestral works, experiments in immersive performance, or expands his social initiatives, his trajectory promises to be as dynamic as the music he creates.









Diana made it home from Julia’s beach house, trapping a mouse in a closet for John to deal with when he arrived after their departure. We enjoyed a late “welcome home” lunch at the Columns on Tuesday, sharing the delicious burger (best in NOLA?) and their new chopped salad.
We participated in our classic retiree activity on Wednesday morning – the classic 10am movie at the Prytania. This week was “Roman Holiday” – the 1953 movie with Audrey Hepburn and Gregory Peck.


We arrived a bit before check in time and so enjoyed a burger and yummy onion rings at the Starlite diner.





















My book this week was “So Far Gone” by Jess Walter. I really enjoyed this – the first half quite a bit more than the second. First half was more character driven, with a lot of dramatic action in the second. This is not as great as Walter’s “Beautiful Ruins”, but worth the read. Here’s the online summary of the plot:



I got a NOLA.com alert at Cafe Degas about a man running down Bourbon street with a “Love” flag. This could only be our buddy, Chris Peet. Here’s the article – really well written with some good pictures:








I finished “King of Ashes” by S.A. Crosby this week. My summary – very dark content, great characters, sad story. Off to find something a bit lighter.
My Dad, Ian Morrison Robertson, died on February 17, 2023. He was 86 years old.

















I really enjoyed my book this week – “Lessons in Chemistry” by Bonnie Garmus. This was a very entertaining read and reminded me a bit of the humour in “Eleanor Oliphant is Just Fine”. Here’s the GoodReads summary:
It’s been quite a zoo at our home this week. I made the mistake of contracting with a couple of guys to pressure wash and stain the fence and patio pergola at the same time as the bathroom guys were working away on fixing all the issues from the first contractor. Why didn’t I just wait a week? I suppose part of me thought we could get finished up with having constant traffic at the house all at once. And that has been the case – it’s been such a nice Sunday with nobody but the two of us at the house.
We’ve been using the guest bedroom upstairs while the remodel downstairs has continued and continued. And wouldn’t you know it – the air conditioning decided to croak this week. On Friday we had eleven different guys at the house – plus all their trucks and equipment. Diana made her largest ever order at Taco Bell to feed everyone lunch. The neighbours must have been wondering what on earth was going on at our house.
everything else that was wrong with the first contractor) before we can try out the steam shower. I’ll post some pictures of the finished product next week. That and my new TV/stereo wall cabinet. I did chuckle when I found the new bathtub sitting in front of the fireplace in the music room. I was picturing McD with a fire going, glass of champagne in hand, and maybe some soothing piano music.
been a typical week. Work, exercise, some music and reading. I did get a clean bill of health from the orthopedic doctor this week. He reports that my leg has completely healed and I’m ready for action again. I was able to “close all my rings” every day this week on the Apple watch. I may have to increase my active calories daily goal a bit to stretch things.
We did try to get in the Labor (American spelling since it’s an American holiday) Day spirit with some outdoor cooking. Griller D made some delicious bacon cheeseburgers and stuffed jalapenos. What a nice treat.
I finished Stewart O’Nan’s thirteenth novel, “The Odds”, on the Monday holiday. This is another very original, bittersweet story like the last book of his I read, “Last Night at the Lobster”. It’s Valentine’s weekend, Art and Marion Fowler flee their Cleveland suburb for Niagara Falls, desperate to recoup their losses. Jobless, with their home approaching foreclosure and their marriage on the brink of collapse, Art and Marion liquidate their savings account and book a bridal suite at the Falls’ ritziest casino for a second honeymoon. While they sight see like tourists during the day, at night they risk it all at the roulette wheel to fix their finances-and save their marriage. I won’t spoil the ending for you.
I continue to work my way through the Churchill book and learned a few new things this week.
“American Dirt”, my swimming audio book, continues to expose me to the many issues associated with Latin American migrants trying to make their way to the United States. Lydia and Luca made it on top of “La Bestia”, the freight train that runs from Mexico to the US, as far as San Miguel de Allende before having to take a break for food and sleep. This is the town where we celebrated Denny’s 50th birthday, and the juxtaposition of the way we saw this beautiful town with the way migrants experience it was quite jarring.
The bathroom remodel has begun. The designer twins (Marci and Mindy) – identical so it’s helpful that they have different hairdos – visited us to finalize the tile and other design elements. The tiles are actually white, grey and blue, although they look a bit beige in the picture. Believe me, there will be no more beige in that bathroom.

We laughed at the debris under my spot on the couch – including a martini olive stick and a variety of crackers. It really wasn’t as bad as I had expected but Diana was quick to point that there wasn’t a single crumb under her spot. Perhaps she was sweeping things in my direction?

We did manage to squeeze in visits to another two of our favourite restaurants before leaving Austin. June’s is always good and we loved the curried escargot with puff pastry and the bone marrow bolognese. This is the restaurant where I had my lunch “interview” before taking the job in Austin.




We listened to “Eleanor Oliphant is Completely Fine” by Gail Honeyman on the drives to and from Austin. Apparently this is soon to be a movie starring Reese Witherspoon. I can’t quite picture that given the Glasgow setting. I highly recommend this book – very unique, entertaining and heart-breaking at the same time. The narrator of the audio book really adds quite a bit with her wide variety of male and female Scottish accents.
I mentioned the Hayes Carll Tuesday night livestreams earlier. He is often joined on those by his wife, Allison Moorer. I didn’t realize she was the younger sister of the equally great singer, Shelby Lynne. They both had tragic upbringings, culminating in a murder/suicide of their parents when Moorer was fourteen. She writes about her upbringing in rural Alabama in the book “Blood”. I’m about half way through this (taking a break from the Susan Sontag tome) now and while the subject is very sad, the way Moorer writes about her memories and how she feels about them in her forties is quite beautiful and moving. Here’s one of Moorer’s songs that sounds like it was inspired by childhood: