River Eckert – a brief biography

We first saw River perform at the Booker Fest at the Maple Leaf Bar either one or two years ago – Diana and I can’t decide.  He was amazing amidst all the old veterans and was either 13 or 14 at the time.  We saw him last night on the Columns hotel porch as part of the NOLA x NOLA music week.  He was playing with Matt Perrin on the tuba – a very fun combination.

I love his latest video with one of our favourite artists, Frenchy, painting behind him, and all the New Orleans murals:

And then there’s this gem, reliving Dr. John’s performance at the Band’s Last Waltz show and movie:

He seems to be having so much fun making music – long may that continue.

Now, here’s some deeper biographical information that my AI friends gathered for you:

River Eckert: Carrying the Torch of the New Orleans Piano Tradition

Early Life and Musical Roots
River Eckert was born in New Orleans, Louisiana on October 9, 2009. Bandsintown+2OffBeat Magazine+2 He comes from a deeply musical family: his father is Jake Eckert, a guitarist associated with groups including the Dirty Dozen Brass Band and the New Orleans Suspects. Live Music News and Review+2Tipitina’s+2 Surrounded by the sounds of his city from birth, River was steeped in the New Orleans musical heritage—rhythm & blues, funk, jazz, blues, and the distinctive piano styles that have made the city famous. OffBeat Magazine+2OffBeat Magazine+2

He began playing piano at age three. Bandsintown+2Tipitina’s+2 At first his training was classical, but early on his teachers and those around him recognized his affinity for New Orleans styles—blues, jazz, funk—and encouraged him to explore and integrate those elements. Tipitina’s+2Bandsintown+2

Musical Style, Influences and Development
River Eckert is known for his deep respect for and immersion in the classic New Orleans piano tradition. His influences include legends such as Professor Longhair, James Booker, Dr. John, Allen Toussaint, Fats Domino, and Art Neville. OffBeat Magazine+3Bandsintown+3OffBeat Magazine+3 Young as he is, River aims not merely to emulate, but to carry the torch of that tradition—drawing on its rhythmic complexity, emotional directness, and richly varied lineage. OffBeat Magazine+3Bandsintown+3OffBeat Magazine+3

Beyond solo piano work, he performs in full band settings, singing as well as playing. His performance style reflects a maturity beyond his years, balancing showmanship and musical depth. OffBeat Magazine+2Bandsintown+2

Performance Milestones
Even as a teenager, River has attained considerable visibility in New Orleans and beyond. Some of his performance highlights:

  • Debut at the New Orleans Jazz & Heritage Festival in 2024, at 14 years old—he ascended from performing on smaller stages like the Children’s Tent and RhythmPOURium to larger venues like the Blues Tent. OffBeat Magazine

  • Regular appearances at notable New Orleans venues including Tipitina’s, the Maple Leaf Bar, Chickie Wah Wah, & others. OffBeat Magazine+3Tipitina’s+3Bandsintown+3

  • Performances at music festivals such as the French Quarter Festival, NOLA Funk Festival, Oak Street Po‑Boy Festival. Bandsintown+2OffBeat Magazine+2

  • Shared stage with respected New Orleans and regional musicians: George Porter Jr., Ivan Neville, Stanton Moore, Anders Osborne, Terence Higgins; also with members of the brass and funk / R&B scenes. Bandsintown+2Tipitina’s+2

Recording and Future Directions
River has begun laying groundwork for recorded output. His debut single, “Pass That Torch,” came out in October 2024. Bandsintown+1 He is working on his first studio album, with collaborators including George Porter Jr., Ivan Neville, Terence Higgins, Cornell Williams, Raymond Weber, John Fohl, among others. The album is anticipated to be released in early 2025. Bandsintown+1

He has also been featured in video recordings with Playing for Change, an international multimedia project. Bandsintown

Personality, Mission, and Impact
Though still young, River Eckert has articulated a mission: honoring and preserving the piano traditions of New Orleans, while adding his own voice. He has been quoted as saying that “playing at Jazz Fest is a dream come true,” noting that he’s attended it almost every year of his life. OffBeat Magazine His early years of study—classical discipline followed by embracing the improvisation, rhythmic drive, and soul of blues and jazz—have given him both technical foundation and expressive agility.

Peers and critics alike comment on his remarkable poise, consistency, and versatility—from solo piano recitals to full band, from covers of classic New Orleans repertory to original work. Tipitina’s+2OffBeat Magazine+2

Challenges and Outlook
Growing up in New Orleans carries advantages—rich musical culture, mentors, live performance opportunities—but also challenges faced by all young artists: balancing schooling, growing public expectations, finding one’s own voice amid venerable influences. River seems to be navigating these with humility, passion, and steady progress.

Looking ahead, the full album expected in 2025 is likely to be a key moment: consolidating his growing reputation, extending his reach beyond local stages, and helping to define what the younger generation of New Orleans piano players can contribute.


River Eckert: A Young Keeper of the New Orleans Piano Flame

River Eckert was born October 9, 2009, in New Orleans, Louisiana, and at just 15 years old is already making his mark as one of the most promising bearers of the New Orleans piano tradition. rivereckert.com+1 From his earliest years, music was part of his DNA: his father, Jake Eckert, is a longtime musician and producer who has played with the Dirty Dozen Brass Band and the New Orleans Suspects, among others. Live Music News and Review+4AOL+4rivereckert.com+4


Early Years & Family Legacy

River’s affinity for piano emerged almost before he could remember. He began by age three, initially studying classical repertoire under formal instruction. rivereckert.com+2OffBeat Magazine+2 But his teachers soon realized that he had an uncanny ability to absorb blues and jazz styles, and encouraged him to explore those idioms. rivereckert.com+1

In a conversation on the Tales From the Green Room podcast, River reflected on the benefit of having older veteran musicians around him in New Orleans:

“It’s not ever annoying to hang out with older people because they’re the ones with the knowledge. … So when I’m around all those guys, it’s just I soak up any information that I can possibly get.” Tales from the Green Room+1

Indeed, the city’s musical ecosystem became his classroom.

His father, Jake, has spoken about how River’s musical roots reach further back in the family. Jake recalled that their great-grandmother was a vaudeville musician, performing in silent-movie era shows, and that his grandmother traveled in performance circuits. Jake described it as both “a blessing and a curse” to carry forward that lineage. Tales from the Green Room

Jake also described his own upbringing in New Orleans’ musical community — backyard gatherings, inviting local musicians to perform over crawfish boils — as fertile ground for River to grow up absorbing music as part of life. Tales from the Green Room


Musical Voice & Influences

From early on, River has been deeply immersed in the lineage of New Orleans piano giants: Professor Longhair, James Booker, Dr. John, Allen Toussaint, Fats Domino, Art Neville, among others. Live Music News and Review+3rivereckert.com+3OffBeat Magazine+3 His goal is often framed in his website’s biographical summary: to “carry the torch” of the New Orleans piano tradition. rivereckert.com+1

He balances reverence for tradition with an appetite to bring his own voice forward. In festival settings and band lineups, he moves between solo piano, vocal-led songs, and full band arrangements. rivereckert.com+2Live Music News and Review+2

At the 2024 New Orleans Jazz & Heritage Festival, he made his festival debut at age 14, initially playing in smaller stages (the Children’s Tent and RhythmPOURium) and then moving up to the larger Blues Tent. Reflecting on it, he said:

“I’ve gone to Jazz Fest just about every year of my life. So, getting to play at Jazz Fest is a dream come true.” OffBeat Magazine

Performing at such festivals is not just a career milestone — it’s a full-circle moment of being both audience and artist in his hometown.

On the significance of New Orleans as more than a backdrop, he has remarked:

“You can go anywhere else in the world to learn rock music or even straight‑ahead jazz — you can learn it in many places. But the only place you can come to learn New Orleans music is New Orleans.” NOLA Funk Fest

He also spoke candidly about the “main stage” leap in festival settings:

“When I played the Passing the Torch stage, it was my first time playing with my own little band … I’m really looking forward to [playing on] the main stage. … It just sounds exciting.” NOLA Funk Fest

In other words, the journey is as important to him as the destination.


Performances, Collaborations & Recordings

River already has an impressive résumé of venues, festivals, and collaborations. AOL+5rivereckert.com+5rivereckert.com+5

He has performed at:

He has shared stages and recording space with many notable figures in the New Orleans and broader musical world: George Porter Jr., Ivan Neville, Terence Higgins, Luther Dickinson, Cyril Neville, Anders Osborne, Fred Wesley, Reggie Scanlan, Kirk Joseph, Donald Harrison Jr., and others. OffBeat Magazine+3rivereckert.com+3rivereckert.com+3

His recorded singles already hint at ambition. His debut single, “Pass That Torch,” dropped in October 2024. rivereckert.com+1 He followed with “Hey Hey Hey (Fi Nah Nay)” in February 2025 and “Painting Pictures” in April 2025. rivereckert.com The full album is anticipated in early 2025. rivereckert.com+1

He is also featured in Playing for Change video recordings, helping extend his reach beyond local scenes. rivereckert.com One such video is “St. James Infirmary | River Eckert | Live Outside” under the Playing for Change banner. MVOTD


Perspectives, Challenges, and Vision

Though young, River’s reflections show a maturity and humility grounded in his context.

In the Green Room conversation, he acknowledged feeling the weight—and benefit—of being a teenage musician surrounded by older veterans. But he approaches it with eagerness:

“I soak up any information that I can possibly get.” Tales from the Green Room

More broadly, he embraces the idea of continuity:

“From a very young age, River has been surrounded by music … he is passionate and dedicated to ‘carrying the torch’ of the New Orleans piano tradition.” rivereckert.com

His path is not without tension. He must balance schooling, expectations, and the pressure of growing in public. But in interviews, he focuses on the joy of performance, the thrill of shared improvisation, and the pride of representing his city’s distinct musical heritage.

His father, Jake, also gives perspective on the generational thread: he describes River’s link to earlier musical eras via family stories, and the responsibility that comes with inheriting that legacy. Tales from the Green Room+1

Looking ahead, River’s upcoming album will likely act as a marker—not just of technical and compositional growth, but of how a young musician chooses to situate himself in the lineage of New Orleans piano. If past is prologue, his intent to absorb, honor, and innovate suggests a future in which he becomes not just a protégé of the tradition, but a forward‑looking voice in its evolution.

Robert Reich Biography

This post was inspired by a movie that I saw this week – “The Last Class”

Before we jump into the biographical information on Reich, here’s a link to his most recent blog post – very interesting from my perspective:

Reich blog on awakening the giant

And here’s a link to his website which contains a myriad of interesting and though provoking content:

Robert Reich website

Here’s a summary biography from Wikipedia:

About Robert Reich 40 years in education.

Robert Bernard Reich (/ˈrʃ/  RYSH;[2] born June 24, 1946) is an American professor, author, lawyer, and political commentator.[3] He worked in the administrations of presidents Gerald Ford and Jimmy Carter,[4] and he served as secretary of labor in the cabinet of President Bill Clinton from 1993 to 1997.[5][6] He was also a member of President Barack Obama‘s economic transition advisory board.[7] In 2008, Time magazine named him one of the Ten Best Cabinet Members of the century;[8] in the same year The Wall Street Journal placed him sixth on its list of Most Influential Business Thinkers.[9]

Reich has also had a long teaching career. From 1981 to 1992 he was a lecturer at Harvard University‘s John F. Kennedy School of Government[10] and from 1997 to 2005 he was a professor of social and economic policy at the Heller School for Social Policy and Management of Brandeis University. In January 2006 he was appointed Chancellor’s Professor of Public Policy at the Goldman School of Public Policy at UC Berkeley.[11] He taught his last class at Berkeley in the spring of 2023[12] and is currently Emeritus Carmel P. Friesen Professor of Public Policy.[11]

Reich has published numerous books,[13] including the best-sellers The Work of Nations (1991), Reason (2004), Supercapitalism (2007), Aftershock (2010), Beyond Outrage (2012), and Saving Capitalism (2015). The Robert Reich–Jacob Kornbluth film Saving Capitalism debuted on Netflix in November 2017, and their film Inequality for All won a U.S. Documentary Special Jury Award for Achievement in Filmmaking at the 2013 Sundance Film Festival.[14][15] He is board chair emeritus of the watchdog group Common Cause and blogs at Robertreich.org.[16]

Here’s what ChatGPT generated when asked to write a one page biography:

Robert Reich – Biography Summary

Robert B. Reich is an American economist, professor, author, and political commentator widely known for his work on economic inequality, labor policy, and public policy. Born on June 24, 1946, in Scranton, Pennsylvania, Reich has had a distinguished career in public service, academia, and writing. Despite being diagnosed with a rare genetic condition called Fairbanks disease (which affects bone growth), Reich became a prominent and influential public intellectual.

Reich earned his undergraduate degree from Dartmouth College, won a Rhodes Scholarship to study at Oxford University, and later received a Juris Doctor from Yale Law School. He began his public service career in the administrations of Presidents Gerald Ford and Jimmy Carter. However, he gained national prominence as Secretary of Labor under President Bill Clinton from 1993 to 1997. During his tenure, he focused on job training, worker rights, and raising the minimum wage.

After leaving government service, Reich transitioned into academia and public advocacy. He has taught at Harvard University and is currently a professor at the University of California, Berkeley. Reich has authored numerous influential books, including The Work of Nations, Aftershock, Saving Capitalism, and The System, which critique economic inequality and advocate for a more inclusive and equitable economy.

Reich is also known for his engaging public communication, including documentaries like Inequality for All (2013) and Saving Capitalism (2017), and his active social media presence where he continues to comment on economic and political issues. Through his work, Robert Reich remains a leading voice in progressive economic thought and a staunch advocate for social and economic justice.

Week in Review – September 21, 2025

“Good Friends + 4 Days in New Orleans = Priceless”

When I left you last Sunday, the Cowboys and Saints were both losing.  The Cowboys did finally manage to eke out a win with an amazing 64 yard field goal by Aubrey – he is certainly a bright spot on the team.  The Saints were not so fortunate either that Sunday or particularly the most recent Sunday.

Augie was busy for several hours decorating for Halloween:

Diana had a routine medical test on Monday that required fasting for a while.  I gave her the choice of where to have lunch afterwards.  “Let’s go to Shaya, we haven’t been there in while.”  It was shortly after 11am and there were two other folks in the place.  The temperature was set to very cold and so we asked to sit on the patio.  Apparently opening the patio door to serve us was going to be too much.  So we left for plan B.

Red Dog Diner was happy to sit us outside.  We missed the 8-10am morning Happy Hour but I had a frozen Irish coffee anyway (a meal in itself.)

 

 

 

 

I entertained myself in the afternoon with the Americana music awards while Diana napped.   John C. Reilly hosted and did a nice version of Tom Waits’ “Picture in a Frame:”

 

 

Mary and Chuck finally arrived in Scotland on a trip that Mum helped them plan a while ago:

I’m looking forward to hearing about it.

I met my friend Fred from Plano (really from New Orleans originally but now lives in the Dallas area) for Happy Hour at the Evangeline on Tuesday afternoon.  I picked the location so that Fred could walk from his sister’s house and that worked out very well.  This is one of Kenny’s favourite bars and I felt guilty going for the first time without him, but had a great visit with Fred.

Trivia on Tuesday night – all good through the first half and then we took a  nosedive.  We were close on this final question.  You had to guess within five of the total and we were just a few outside that.  The only one we knew with certainty was the hockey goals – seven.

Diana began Wednesday in typical fashion – a run and then yoga.  Then we went to look at a house on Nashville Ave that had a nice pool, pool house, and way more rooms than we need.  Too much upkeep and maintenance on that place.

We got some culture on Wednesday evening at a reading at Octavia books.  Here’s what their email said about the event:

“From the legendary producer of Nick Drake, R.E.M., Toots and the Maytals, and Pink Floyd and author of White Bicycles: Making Music in the 1960s comes a riveting, world-spanning tour de force illuminating the artists, histories, controversies, and collaborations that shaped global music.”

I enjoyed the stories and music that he played.  I picked up a book by the interviewer, Jay Mazza, about Kermit Ruffins and Vaughan’s lounge.  Mazza attended over 300 Thursday night shows at the venue with Kermit and band.  That’s where I ended up on my first ever evening in New Orleans and I was sold.

One of my favourite songs that I heard that night:

Back at the house we watched an episode of the new “Morning Show” series – not too exciting yet.

April and Jason, friends from Austin, arrived on Thursday morning.  We had a nibble on a breakfast casserole that I made for the first time – yummy, and then it was off to Commander’s Palace for lunch.

 

 

 

After the usual trio of small soups, I passed on the usual stuffed quail and tried the cochon de lait tostada – a good new option.  And of course, you can’t finish without the whiskey souffle:

Next up, Booker Sessions at the Maple Leaf.  This week was Andre Bohren and he was strictly classical – none of the hybrid style that Booker is famous for creating.  Lots of Chopin and Liszt.

 

 

 

A brief stop in to Jacques-Imo’s for alligator cheesecake and a hello to Debra, and we had day one of the visit in the books.

Our guests had not spent time in the French Quarter and so we rectified that with a brief ramble on Friday afternoon.  We stopped in the lovely Peychaud’s courtyard where Jason fell in love with the Hurricane cocktail.

We had the obligatory wander down Bourbon Street and back up Royal Street, then caught a car over to N7.  This is always such a lovely place to take guests when the weather is nice.  The garden seating worked out very well, and we were able to share several menu highlights: tomato salad (the popping flavours), octopus, duck liver pate, tarte flambee traditionelle (always a highlight for me with those lardons and caramelized onions) and steak au poivre.

After that N7 feast, we regrouped and made a visit to Dos Jefes to watch the Joe Krown trio.  After a bit of a late start (actually 30 minutes late is pretty much on time for New Orleans) we were treated to one of the best performances that I’ve heard from Joe.

We met the local krewe (Jack, Alex, Thom, Laura) at Oak and Ale to watch football on Saturday afternoon.  That gave April and Jason a chance for a repeat French Quarter visit and another Hurricane.

We enjoyed dinner together at the Bouligny Tavern.   How did they get that smoky char on the broccolini with the burrata?  The deviled eggs were also very fancy:

We planned on Elizabeth’s in the Bywater for brunch on Sunday.  I had a last minute thought that it would be nice to invite Chris who lives close.  Diana did not he was joining until she saw his bike parked in front.  Nice surprise!

They always have such a good selection of brunch specials – hard to decide:

The Cowboys and Saints both lost their games in the afternoon – the Saints by the worst margin since the 1970s – going to be a long season for them.

I’m a little over half way through “I Might be in Trouble” by Daniel Aleman.  I’m finding it well written and funny so far, albeit a bit dark.  Here’s the online summary:

A “hilarious, suspense-filled” dark comedy about a struggling writer who wakes up to find his date from the night before dead—and must then decide how far he’s willing to go to use this as inspiration for his next book (Entertainment Weekly).

A few years ago, David Alvarez had it all: a six-figure book deal, a loving boyfriend, and an exciting writing career. His debut novel was a resounding success, which made the publication of his second book—a total flop—all the more devastating. Now, David is single, lonely, and desperately trying to come up with the next great idea for his third manuscript, one that will redeem him in the eyes of readers, reviewers, the entire publishing world…and maybe even his ex-boyfriend.

But good ideas are hard to come by, and the mounting pressure of a near-empty bank account isn’t helping. When David connects with a sexy stranger on a dating app, he figures a wild night out in New York City may be just what he needs to find inspiration.

But after one of the best nights of his life, David wakes up hungover but giddy—only to find prince charming dead next to him in bed. Suddenly faced with the implausible idea that he may have actually killed his date, David calls the only person he can trust in a moment of crisis: his literary agent, Stacey.

Together, David and Stacey must untangle the events of the previous night, cover their tracks, and spin the entire misadventure into David’s career-defining novel—if only they can figure out what to do with the body first.”

The passing of Robert Redford brought to mind this song from Allison Moorer that she performed in “The Horse Whisperer:”

Take a listen to this gorgeous cover of “Dancing in the Dark” that Jason shared with us:

Coexist peacefully, with patience and kindness for all!

Week in Review – September 14th, 2025

“Hello Cleveland”

Monday was the fist low humidity day in months and we took advantage by walking down to Aquila Bistro and Cafe.  It’s only half a mile away and we haven’t been since it opened in what used to be the Rabbit’s Foot (a coffee shop that I really enjoyed.)  The food and coffees were very good and the service excellent.  We’ll put this back on the rotation – we have so many good coffee shops in walking distance, particularly as it starts to cool off a wee bit.

Diana got avocado toast which was served with tater tots (her number one comfort food), eggs and a salad.  All very good.  The shop had a clever item for sale – “A date with a puzzle.”  These were jigsaw puzzles wrapped up with a description that included the number of pieces and three words to describe the subject.  Maybe I’ll have to go back and get one for McD to do on a rainy day.

I’ve been working to step up my omelet game in retirement.  Plenty of time for chives, avocado and radishes to spice up the presentation:

We were planning to see the Spinal Tap II movie on Friday, followed by the “Hello, Cleveland” cover band.  In anticipation we had Kenny, Kara, Thom, Libby and Jack over to watch the original movie on Monday night.  The classic line from the original is that their amplifiers go to “11.”  Diana helped me adjust mine to the same:

Spinal Tap II was filmed mostly in New Orleans with cameos from Paul McCartney and Elton John.  The cheese shop scenes were filmed in the store next to my barber, Aidan Gill, and he provided the “green room” for the day with Guinness and Irish whiskies.  Diana and I wandered by and saw Rob Reiner directing the action in “Nigel’s Cheese Shop.”

I ordered up some coasters and a wee Stonehenge (plays a role in the original movie stage set) to make things fun.

We had a fish and chips dining theme (would have been better if Jack had remembered his freshly caught snapper) with malt vinegar and tartar sauce – the easiest British food we could come up with on short notice.

Here’s the trailer for Spinal Tap II – complete with the Stonehenge themed 2:

I thought these beers were funny – came across them while shopping for Monday dinner with Jack “O”gan.

 

 

 

We seem to think we won trivia on Tuesday – there appears to be some confusion but we’re going with it.  The only questions I knew were these two:

“Fuddy Duddy”

“Jimmy Johnson”

By the time I called Denny on Wednesday morning he had already heard from Jack that I was minimally helpful.

We made it to the Hot and Soul restaurant next to the new Trader Joe’s for lunch on Wednesday.  This is a single shotgun house and seemed to have an interesting menu.  I enjoyed the veggie curry and Diana had a tasty ceviche.    We sat at the bar and I was surprised when one of the cooks proceeded to chop up more than a dozen onions on a surface just behind the bar.  I asked the bartender/waitress why he didn’t do that in the back instead of bringing tears to all of our eyes.  I got what I’m sure she thought was a funny reply, but it just seemed rude and flippant to me.  Not sure I’ll be rushing back to this place.

Diana led an expedition to the Banks Street Bar on Wednesday evening to listen to Mia Borders perform.  This was a pleasant neighbourhood bar and Mia played a good set that started on time at 6pm – always appreciated by the old folks.

We split a burger from the place next door and enjoyed it with the music.

“Set It Up” was a funny movie that we watched later in the evening.

Zoey Deutch and Glen Powell were very entertaining.

I accompanied Diana to a doctor appointment on Thursday and then we made a visit to Octavia books – such a nice store and much expanded.  I picked up the Tom Piazza book about his friendship with John Prine and “Buckeye” by Patrick Ryan.  More to come on both of those soon.

We picked up Kenny and Kara for the Spinal Tap II excursion on Friday evening.  Here’s how the Broad newsletter advertised the event:

“First up, on Friday night, we have a twofer of Spinal Tap bliss! At 7pm, we will screen the film at The Broad Theater, then immediately following, Broadside will host HELLO CLEVELAND, the greatest (and maybe only?) Spinal Tap cover band. Hello Cleveland is compromised of Marc Paradis on guitar, Beth Patterson on electric bouzouki-tar, Dave Pomerleau on bass, Mike Barras on drums, and Josh Paxton on keys (most of the members from Johnny Sketch and the Dirty Notes). Check-in will be at the theater where you will be given a wrist band to enter Broadside.”

The movie was very funny and well done – I enjoyed it even more than the first one.  Diana was particularly entertained – haven’t seen her laugh as much at a movie ever.  We both remarked that it was fun to watch a movie in a full theater with folks that were enjoying the humour.

The cover band of all-star local musicians was also very entertaining.  What a lot of work those guys did for a one night only performance.  Here are some highlights:

“Heavy Duty”:

The wonderful pianist, Josh Paxson, doing an intro to “Stonehenge”:

A couple of clips from “Stonehenge”:

Jeff was in town solo on Saturday to attend his Mom’s birthday on Sunday.  Merry Lee had to attend a funeral.  We met Jeff at the Rusty Nail (walking distance from his condo) to watch the LSU college football game.

We left at halftime and watched the conclusion (a nice win for LSU) from our respective homes.  Jeff enjoyed the Rusty Nail and was excited that it was dog friendly.

Diana joined me on a walk to French Truck coffee this morning.  I realized on leaving that I had made quite a mess on the floor with my very flaky and delicious croissant.

I’m currently watching the Saints struggle to get anything going against the San Francisco 49ers.  And there was just an update that the Cowboys (not on TV in New Orleans) are losing to the Giants.  There’s still time for both teams to recover.

This article in the Tuesday newspaper reminded me of the literary geniuses that have inhabited New Orleans over the years:

William Faulkner spent a year in New Orleans. It influenced his writing all his life.

The Nobel laureate remembered the city with affection, saying he “had more fun there than I ever had and ever will have again anywhere.”

William_Faulkner_(1924_publicity_photo_-_pipe).jpg
William Faulkner is shown here in 1924, just a year before he arrived in New Orleans as an aspiring writer.

For aspiring writers, New Orleans in the 1920s wasn’t just another city; it was a cultural crucible where artistic voices were forged amid a tolerant, bohemian atmosphere. For William Faulkner, his transformative stay in the French Quarter in 1925 proved pivotal, marking his transition from an aspiring poet to a fledgling novelist and profoundly shaping his literary trajectory.

When Faulkner arrived in January 1925, a few months after his 27th birthday, he was only passing through on his way to Europe. But he quickly fell under the city’s spell, finding in its French Quarter a poor man’s Paris where he could live cheaply and richly among artists.

He rented a modest apartment in Pirate’s Alley (then Orleans Alley), today a literary landmark. This lean living situation was part of the Quarter’s allure: Low rents attracted a diverse creative class that lived and worked cheek by jowl in its crumbling townhouses.

“The brooding and timeless quality of the city,” he observed, “is broken only by the sudden raucous cry of a newsboy or the ironic laughter of a drunk.” It was the city’s unapologetic pageantry and mercurial cast of characters, observed with a sharp outsider’s eye, that would teach him to inhabit perspectives far beyond his Mississippi roots.

According to Jay Watson, recently retired Distinguished Professor of English and Howry Professor of Faulkner Studies at the University of Mississippi, New Orleans offered the young writer something Oxford, Mississippi, could not.

A decisive influence during this period was Sherwood Anderson, the celebrated author of “Winesburg, Ohio,” who had made New Orleans his semiretirement home. Anderson encouraged Faulkner to abandon poetry for prose, advice that changed the young Mississippian’s life.  Anderson also introduced Faulkner to his New York publisher, paving the way for his first novel, “Soldier’s Pay.”

Faulkner never forgot the kindness, later dedicating the book to Anderson. But as Watson notes, Anderson’s impact went even deeper: “Ironically, one of the most important things Sherwood Anderson ever did for Faulkner was to tell him to leave New Orleans — to go back to Mississippi, to the place he knew best, if he really wanted to maximize his talent.”

MAKKOS_ON_FAULKNER_01.JPEG
William Faulkner sold stories to The Times-Picayune during his stint in New Orleans.

McClure, an editor at The Times-Picayune and the influential Double Dealer magazine, became one of Faulkner’s earliest champions, publishing his first poem and later his experimental prose sketches.

The Times-Picayune itself became Faulkner’s training ground. He sold numerous short stories and sketches to the paper, often earning $5 to $15 apiece — much-needed income for the young writer.

Paid by the inch, Faulkner learned to adapt his lush style into something immediate and concise. “Being paid by The Times-Picayune must have been empowering for Faulkner,” Watson said. “For the first time, he was making coin for his writing — not vanity press or favors from friends, but real income. It helped him believe in himself.”

Beyond journalism, New Orleans gave him experiences that became raw material for fiction. A disastrous yacht excursion on Lake Pontchartrain with Anderson and other artists — plagued by mosquitoes, engine trouble, and frayed tempers — would inspire his second novel, “Mosquitoes.” The Quarter also encouraged him to experiment with shape-shifting into character, vanishing into other voices and perspectives. As he later reflected, New Orleans was a place where “imagination takes precedence over fact.”

Carl_Van_Vechten_-_William_Faulkner (1).jpg
William Faulkner’s life as a man of letters and one of the United States’ most important writers began in New Orleans.

Faulkner’s time in New Orleans was brief, but it became a lifelong touchstone. Later in life, he remembered the city with affection, saying he “had more fun there than I ever had and ever will have again anywhere now.”

As he once wrote in his early sketches, “Here is the substance of a thousand dreams, their beauty broken, trampled, and cast aside. Yet it still clings, the romance of a past that will not pass.”

Joseph S. Makkos is a New Orleans — based archivist, writer and director of Intelligent Archives, a company dedicated to preserving and reimagining historic newspapers. 

I hope to be able to attend the Faulkner festival this year.

My book this week was “The Grand Paloma Resort” by Cleyvis Natera.  This didn’t hold my attention too well – lots of peaks and valleys with the storyline feeling a bit repetitive quite often.  I would recommend skipping it.  Here’s the online summary:

“The Grand Paloma Resort is a lush paradise in the Dominican Republic where the guests enjoy incredible luxury, and the staff is always eager to please—that is, until they are pushed to the brink.

Laura is a local Dominican woman who, through sheer hard work, has risen through the ranks to become manager at the Grand Paloma Resort. Her idea to pair a “platinum” guest with their own resort employee to attend to their every whim has been wildly successful, and she’s just weeks away from a promotion that could blaze a path for her off the resort and toward a life of opportunity. If only her younger sister, Elena—who she’s looked after since the death of their mother—could get with the program.”

I made a start on “Living in the Present with John Prine” by New Orleans resident Tom Piazza, and can tell that I’m going to really enjoy it.

Here’s an online summary:

“A vivid, joyful, moving window onto the life and heart of an American icon.

In the spring of 2018, Tom Piazza climbed into a 1977 Coupe de Ville with the great singer-songwriter John Prine to write an article for the Oxford American. Their Florida road trip ignited a deep friendship, full of tall tales over epic meals, long nights playing guitar and trading songs, and visits back and forth between their homes in Nashville and New Orleans. Along the way, Prine invited Piazza to work with him on a memoir, with John telling sprawling, often hilarious stories of his youth and family in Chicago and Kentucky, his breakthrough into the national spotlight, his riotous early years in the Nashville country scene, and much more. When Prine died suddenly of COVID in April 2020, that unfinished memoir evolved into an intimate and very personal narrative of the artist’s final years. In it, Piazza offers fans an unforgettable portrait of the beloved musician in his late glory―as a boyish cut-up, an epic raconteur, a great American poet, and, most important, a beloved friend.”

A couple of favourite passages so far:

Describing a ride in a massive 1977 Coupe de Ville:

“He gets in behind the wheel; I climb back into the marshmallow-white leather interior next to him, and as the engine starts with a Wagnerian roar a middle-aged guy walking in front of us-startled-gives us a grin and a thumbs up.

“I like giving people a smile when they see this car,” Prine says, happy as a man can be.  “This car brings back dreams.””

On first seeing Prine perform at the Saenger theater in 2016:

“At one point I realized that tears were running down my cheeks.  The lone figure on stage, ravaged by time and circumstance, yet standing there and delivering this painful beauty into the cavernous theater, alone…it occurred to me right then that I might want to write something about him, although I wasn’t sure just what or why.”

It’s been a while since we had anything from the inimitable Billy Preston:

I love the guitar sound on this one:

Another sweet sounding, laid back guitar:

Coexist peacefully, with patience and kindness for all!

 

Week in Review – September 7th, 2025

“Getaway to Bay St. Louis”

You should see this one handed catch if you missed the Miami vs Notre Dame college game last Saturday:

I’m sure Timmy didn’t love the C.J. Daniels acrobatics.

I listened to this Fresh Air podcast during a walk in the park on Monday.  It featured late 80s interviews with Charles Brown and Ray Charles.  Highly recommended.  Charles Brown playing live in the studio is easily worth the listen.

We made the short (one hour) drive to Bay St. Louis on Tuesday afternoon.  I rented an Airbnb for a few days and we invited Kenny and Kara to join us.  We arrived before check in time and so had a relaxing drink at Barracuda tacos – this is the sister of the place that we have on Magazine St in New Orleans, but I think they make better drinks.

You can see how close Barracuda is to the Airbnb – it’s right next to PJs Coffee:

We were very pleased with the house on check in.  The pool and outside seating areas were great.

It came with a golf cart and bikes that we didn’t use – everything was within close walking distance.

There were some interesting features – a parking meter mailbox and “Seize the Bay” neon sign (once I figured out that there was a fancy remote to turn it on):

Diana and I walked to the Thorny Oyster for dinner on Tuesday evening.  We passed a few interesting buildings on our walk (church and courthouse).

This ended up being one of the best meals that we’ve had in a long time – in a large part due to the recommendations from our waiter Zak.  We shared three small plates – whipped ricotta with “reds” (apparently Argentinian red shrimp), crab claws with a wonderfully good sauce (Zak joked about bringing a straw to enjoy all of it, and apparently I was the only person in months to take advantage of it), and a tuna tostada with massive cubes of very fresh tuna.

I like the oyster wallpaper in the restaurant.  Seems appropriate for Diana’s office given her penchant for those creatures:

Kenny and Kara arrived later on Tuesday evening and we enjoyed relaxing by the pool for a while.

The girls went for a run along the beach on Wednesday morning while Kenny and I enjoyed a breakfast snack at Barracuda.

That was followed by pool time and then lunch at the Blind Tiger.  Here’s some history on the name:

This was an easy, casual beach front place with good food and service.

Randy and Amy (friends who live in Bay St. Louis) came over in the afternoon.  Amy showed up fully loaded – pool floaties and pump, Old Fashioned cocktails with large ice cubes and cherries, and cookies.  The perfect guest.  We had a very enjoyable afternoon and early evening visiting by the pool.  Amy suggested Trapani’s for dinner and I think everyone enjoyed their meal.  I had a fresh and well cooked trout and I know Kenny really enjoyed his steak.

Later that night, as we were watching some of the tennis, Kara entertained us with a comedy bit on all the ways the professionals played a similar game to her – “They hit it into the net, I hit it into the net.”  You had to be there.

Thursday began with pickleball.  They had some city courts that were no cost – just rock up and play.  Good fun.

We followed that with a well earned breakfast at the Mockingbird Cafe – just across the street from Barracuda and very close to the house.  Kara and I enjoyed frittatas, avocado toast for Diana, and a yummy looking breakfast burrito for Kenny.

Kara and Kenny left in the early afternoon so that Kenny could be back in time to teach his tennis clinic.  I do love that when he commits to something, you can 100% count on him to execute.

We had a pleasant evening walk over to the Depot district – this is where the railway station is located and it has grown into a small retail area.  There is a duck pond and you can buy feed at the depot.

A rail service from New Orleans to Mobile with stops in Bay St. Louis started a few weeks ago.  They call it the “Mardi Gras Express.”  I might consider it for our next trip – $15 and about an hour.

We walked from the Depot down to the beach and along to the Thorny Oyster.  I didn’t enjoy this meal as much as the last one – no Zak for starters.  The Italiano salad that we split was large and very good.  The calamari was good but not the best that we’ve had.

We were home in time for some pool time before the Cowboys and Eagles game.  The Cowboys played better than expected but came up just short 20-24 after an hour long lightning delay.  This meme about Jerry Jones trading Micah Parsons to the Green Bay Packers made me chuckle.

I’m not laughing as much after just watching Parsons make an amazing sack for the Green Bay Packers – the closing speed!

Friday had a leisurely start.  Sleep late and then pack up and make sure we take care of everything on the checkout list.  Then back to the Mockingbird Cafe.  This time I got the biscuits with sausage gravy and a fried egg – delicious.  Diana reprised her avocado toast and added some excellent bacon (a meal in itself.)

We had an easy drive back and even stopped at Trader Joe’s to pick up some supplies once we reached New Orleans.  We’re hosting a “Spinal Tap” watch party on Monday, ahead of the release of “Spinal Tap II” next Friday.  We picked up some fish and chips type snacks for that.

Back at the house we watched the Djokovic vs Alcaraz tennis semi-final – very good tennis.

This article showed up in the Saturday newspaper.  So funny how this happens sometimes – all about the recovery of Bay St. Louis since Hurricane Katrina 20 years ago:

“Katrina battered Bay St. Louis — destroying half the city’s homes, blowing out the bridge that connects it to Pass Christian and decimating the population. The downtown area, once busy, was essentially flattened to a blank slate.

Recovery was a yearslong effort sustained by an outpouring of assistance from the government, volunteers and locals who stayed. Public buildings, roadways and vital bridges were eventually repaired and replaced by federal money. By 2013, new developers were flocking to downtown as longtime business owners rebuilt.

Today, the ghost of Katrina’s devastation is hard to find in most parts of Bay St. Louis. In Pearlington, though, it lingers just about everywhere.

A town reborn

On Friday, the anniversary of Katrina, Nikki Moon sits in her Bay St. Louis home and remembers that day 20 years ago. When the storm hit, she clung to a bald oak with her Scottish terrier and three guests from her bed-and-breakfast, Bay Town Inn.

Today, that tree still stands by the inn. Carved into its branches are two angels, one facing the water and another looking toward Beach Boulevard, lined with busy seafood restaurants and palm trees rustling in the breeze.

Even on its slower days, the town’s rebirth is unmistakable.

On the corner of Main Street and Beach Boulevard, a couple walks into Pearl Hotel with rolling luggage. A few blocks away, in Mockingbird Cafe, a group of locals sit at a table and talk about how Bay St. Louis has transformed in the last decade.

“It is a community that came back very strongly,” Moon says, “And its people are really something special.”

Several businesses, including Bay Town Inn, began reopening on Beach Boulevard in 2013. Moon had applied for a $150,000 grant from the Hancock County Chamber of Commerce, which she said gave her “the seed money” to rebuild her bed-and-breakfast. The county’s tourism office also provided funds for advertising.

“We had no roads. We had no water. We had no power,” Moon says. “Our infrastructure was starting from scratch. The city and the county had to raise the money.”

Bay St. Louis slowly came back to life, regaining its pre-Katrina identity as a quaint art colony and weekend retreat for New Orleanians.

Moon sold the inn in 2022 to Jim MacPhaille, a New Orleans developer who owns a restaurant and several other businesses in Bay St. Louis. A decade earlier, he had already seen the town’s potential.

In 2013, MacPhaille purchased two buildings on Main Street. Despite its damaged infrastructure and lack of tourism, he recognized how Bay St. Louis was “eager to get things done” as storm recovery in New Orleans lagged.

But still, “business was tough,” MacPhaille said. “Back then, they were barely making it. We had like three or four tenants roll in and out.”

In 2018, he opened two New Orleans staples — PJ’s Coffee and Creole Creamery — in his two buildings on Main Street. Today, that once-empty corridor is filled with new boutiques and restaurants. There’s little trace of the blight Katrina left behind.

Signs of hope

Even in Bay St. Louis, the story of recovery extends beyond downtown.

A few blocks away in the Depot District, new restaurants, boutiques and other businesses have opened across from the Amtrak train station, where Bay St. Louis is a stop along the Mardi Gras Service from New Orleans to Mobile. In other parts of the city, new subdivisions are emerging with houses and condos.”

We enjoyed a walk/run in the park on Saturday morning.  Diana had planned on playing pickleball on Saturday evening but didn’t know about the need to register ahead of time and just missed a slot.  Lesson learned.  We watched some TV instead – a Catherine Zeta Jones movie called “The Rebound.”  Not too bad.

Sunday was about sports – U.S. Open men’s final (relatively easy Alcaraz win) and Saints loss.  I’m hoping the Lions come back against the Packers soon.

My first book this week was “I Regret Almost Everything” by Keith McNally.  I enjoyed this a lot and read it in a couple of days.  I used to love eating at Odeon when I was working on Wall Street for AIG – it was an easy walk and I loved the feel of the place and the quality of the food.  Reading this book I learned a lot about the history that I didn’t know at all.  Here’s the online summary:

“The entertaining, irreverent, and surprisingly moving memoir by the visionary restaurateur behind such iconic New York institutions as Balthazar and Pastis.

A memoir by the legendary proprietor of Balthazar, Pastis, Minetta Tavern, and Morandi, taking us from his gritty London childhood in the fifties to his serendipitous arrival in New York, where he founded the era-defining establishments the Odeon, Cafe Luxembourg, and Nell’s. Eloquent and opinionated, Keith McNally writes about the angst of being a child actor, his lack of insights from traveling overland to Kathmandu at nineteen, the instability of his two marriages and family relationships, his devastating stroke, and his Instagram notoriety.”

The book starts right out with McNally’s stroke and then rewinds through all of his previous accomplishments:

“After the doctor left, I tried wriggling my arms and legs to check that I wasn’t paralyzed. I wasn’t, thank God. To test my memory, I wrote the alphabet on the back of the nurse’s chart. I then tried saying the letters aloud, but here there was a problem. The words wouldn’t conform to my efforts. They exited my mouth in such a slurred and disorderly way that I sounded like a stage drunk. But this was a small price to pay for my stroke. My first stroke, that is. Because the next day the artillery arrived and gave me such a hammering that in one fell swoop I lost the use of my right hand, right arm and right leg. And my slurred speech, perhaps in fright, went AWOL. Overnight I was confined to a wheelchair and deprived of language. So much for The Restaurateur Who Invented Downtown.”

McNally describes the days following his stroke in a shared ward:

“I shared a ward with five other men whose ages ranged from forty to eighty. At night, with words inaccessible to me, I’d listen in awe to them talking. Speech suddenly seemed like a divine accomplishment. Even everyday words had an element of poetry to them. I dreaded the moment when the men would stop talking and I’d be left with my own thoughts. Sleepless, half-paralyzed and unable to speak, I felt buried alive. More than anything, I wished the stroke had killed me.”

Talking about the desire to keep on building and creating rather than running:

“Although my restaurants were taking in $ 80 million a year before my stroke, my reason for building them was never the pursuit of money. It was partly to gain the admiration of those I respected, and partly the satisfaction I received from seeing an idea realized. But whatever satisfaction the restaurants gave me was fleeting—which is probably why I can’t stop building.”

Diana and I have spent a few fun evenings at Pravda (subterranean vodka bar) with Teddy – it was fun to hear about this encounter:

“I caught the misty reflection of an Asian-looking woman with a sultry gaze. She was accompanying her friend to a job interview. Although we scarcely talked to each other, Alina cast such a powerful mix of tenderness and sensuality that I couldn’t look at her. During the thirty minutes she was there, we barely exchanged two words. The next time we met was two weeks later at Pravda, a subterranean vodka bar I owned. It was raining heavily that night and the place was packed and steamy. I was helping the maître d’ seat customers when Alina walked in with some girlfriends. I took a break and sat down with them. After twenty minutes we were sitting alone together.”

Who leaves school with one O level and waits on Marlon Brando two days later?:

“I left school at sixteen with just one O level—the barest minimum of qualifications—and took a job as a bellhop at London’s Hilton Hotel on Park Lane. On my second day, I was asked to escort Marlon Brando to his room. Like most movie stars, Brando was shorter in person than on the screen. He had a boxer’s broad shoulders and a surprisingly high, nasal voice. In the elevator, he asked me what I intended to do with my life. I had no idea and said as much. (I still have no idea.)”

I love this Woody Allen joke:

“the old Woody Allen joke: “You know, this guy goes into a psychiatrist’s office and says, ‘Doc, my brother’s crazy! He thinks he’s a chicken.’ And the doctor says, ‘Why don’t you turn him in?’ And the guy says, ‘I would, but I need the eggs.’”

I remembered this passage when wondering why the Napkin dispenser at Barracuda in Bay St. Louis had an exclamation point:

“Standing ovations began to increase in the 1970s, which, by coincidence, was the same decade in which the use of the exclamation point increased. It wasn’t until the 1970s that the key for the exclamation point—which in some ways is the standing ovation of correspondence—was added to a typewriter’s keyboard. The exclamation point has no grammatical purpose except to turn up the volume to eleven.”

 

A great description of Heathrow:

“At Heathrow I was jolted into the real world. After six weeks in the hospital and rehab, the frenzied terminal was an assault on my nerves. It was a snake pit of manic confusion. Faces strained and contorted. Couples arguing. Kids being screamed at. Is any vacation worth the anxiety that precedes it? When did travel become such a torment?”

The genesis of the title of the book:

“Po Ming was an exceptional man with a kind face and rare integrity. I once read that great people never regret anything. I regret almost everything. But most of all I regret not saying goodbye to Po Ming.”

An excellent point about all the wonderful 70s movies prior to Star Wars and the onset of the blockbuster movie phenomenon:

“the seventies: Taxi Driver, Chinatown, One Flew Over the Cuckoo’s Nest, Klute, Network, Marathon Man, The French Connection, Don’t Look Now, Mean Streets, Young Frankenstein, Deliverance, Annie Hall, Barry Lyndon, Three Days of the Condor, Shampoo, The Conversation, Five Easy Pieces, The Godfather parts 1 and 2, Paper Moon and my favorite film of the period, Dog Day Afternoon. By coincidence or not, each of these films came out before the blockbuster Star Wars had its theatrical release in the summer of ’77.”

The reason for calling his first restaurant “Odeon.”  I enjoyed this place so much.

“Within the month, we’d signed a fifteen-year lease and roped my brother Brian into being our third partner. It was Brian who came up with the idea of calling it the Odeon—growing up, our local cinema was the Mile End Odeon.”

Some local New Orleans colour – I remember that clock very well:

“Between signing the lease for the restaurant and fixing it up, Lynn and I spent a week in New Orleans. While walking around a shady area outside the French Quarter we saw a large thirties-style neon clock in the window of a junk shop that looked perfect for our unbuilt restaurant. The only problem was there was a NOT FOR SALE sign in front of it. The eternally shy Lynn persuaded me to go in alone and make an offer. “Offer a hundred dollars but no more,” she advised.”

“That twenty-five-dollar neon clock was our first purchase for the Odeon and has been hanging in the same position on the wall next to the bar since October 1980.”

One of the things that I liked about Odeon was the different cast of characters – folks in suits and folks in jeans and tees:

“The Odeon’s success was mostly due to happenstance: being in the right place at the right time. It was a sort of success that defies logic and defines its time. Through no intention of our own, the Odeon quickly became the epicenter of the downtown art scene with Andy Warhol, Jean-Michel Basquiat and Julian Schnabel mixing with the likes of Anna Wintour, Lorne Michaels and the cast of Saturday Night Live. Harold Pinter, as well as the writers Joseph Heller and Edward Albee, ate at the Odeon that first year.

During the Odeon’s early days, the actor John Belushi was our most regular customer. An original cast member of Saturday Night Live, he’d recently starred in the blockbuster film Animal House. Looking like someone who’d perpetually slept through his alarm, Belushi would swagger in just before closing and sit down with the staff as they gossiped about the night’s customers. One time, he came in after the cooks had left and volunteered to make the few remaining staff hamburgers. I somehow felt he was eager to show them that he could do something other than make people laugh. Watching him alone in the kitchen, cooking, was the only time I felt that Belushi was truly himself. The rest of the time I felt he was acting. But he had such a boyish charm that one couldn’t help but like him. The staff adored him.”

Talking about visiting Belushi and Aykroyd’s secret bar.  I would have stayed and enjoyed the performance:

“Cheeseburgers on our laps, we sat in the limousine as it delivered us to an anonymous bar in the middle of nowhere. Anonymous, that is, until we opened the door: two hundred of Belushi’s friends and hangers-on were crowded into the tiny bar. After wolfing down the burgers, Belushi and Aykroyd jumped onto a makeshift stage and began belting out a well-known Motown song. Predictably, the crowd went berserk, and the place became too frenzied for me. Aside from a chronic inability to enjoy rock concerts—even small ones like this—I had my own bar to run. Unnoticed by Belushi and Aykroyd, Lynn and I meekly left midway through James Brown’s “I Feel Good” and returned to work.”

I loved the book “Bright Lights, Big City” years ago – not sure it would have an impact on me these days:

“In 1984, an unknown author called Jay McInerney showed up at the Odeon and asked if he could use an image of the place for the cover of his first book, Bright Lights, Big City.”

I was invited to Balthazar a few times and never made it.  My loss:

“The idea for Balthazar came about while I was living in Paris seven years before I built the place. Although it’s hard for me to come up with good ideas, the few decent ones I’ve ever had have come about by pure accident. I was searching for vintage curtains at a Paris flea market in 1990 when I suddenly spotted an old sepia photo of a turn-of-the-century bar. Behind the bar’s zinc counter were hundreds of liquor bottles stacked twenty feet high, flanked by two towering statues of semi-naked women carved in the classical Greek style. I was so mesmerized by this image that I forgot about the curtains and bought the photo instead. For years I carried it in my back pocket, thinking that if I ever found a space with a sky-high ceiling, I’d build a bar just like the magnificent one in the photo. Stepping into Adar Tannery in the summer of 1995, I’d found that space. Five months later construction began.”

I love this adoration of the solitary diner and reader.  I enjoy a restaurant with a book – maybe not quite as high end as these places:

“The literary critic Harold Bloom once wrote that “there is nothing more profoundly healing than the act of solitary reading.” I never really thought about this until my stay at McLean. The first books I reread were Hemingway’s The Sun Also Rises and Jane Austen’s Pride and Prejudice. Reading The Sun Also Rises at twenty-two, I was bowled over by how good it was. I found Pride and Prejudice, which I read at twenty-three, artificial and silly. Rereading the Hemingway book, I winced at the dialogue and found parts of it embarrassing. With Austen it was the opposite. Second time around I thought Pride and Prejudice was a masterpiece and couldn’t believe I’d ever thought otherwise.”

I agree – the pace of change of places seems to increase as you age:

“After spending a month on Martha’s Vineyard and nine weeks at McLean, I’d been away from New York for over three months. I returned to the city in the fall of 2018 only to discover that my local barbershop had turned into a Baskin-Robbins. Why do changes in the landscape accelerate as one ages? You take a quick shower and another Duane Reade opens. You wake from an afternoon nap and there’s a new president. The second you hit sixty, life becomes the unstoppable bus in the film Speed.”

I highly recommend this autobiography.  I’m not sure those who haven’t spent much time in New York restaurants will enjoy it as much as I did.

My next book was “Broken Country” by Clare Leslie Hall.  This was more of a romance than I had expected, but the plot turns and construction of the story were very impressive.  Will be a good one for Diana.  Online summary:

““The farmer is dead. He is dead, and all anyone wants to know is who killed him.”

Beth and her gentle, kind husband Frank are happily married, but their relationship relies on the past staying buried. But when Beth’s brother-in-law shoots a dog going after their sheep, Beth doesn’t realize that the gunshot will alter the course of their lives. For the dog belonged to none other than Gabriel Wolfe, the man Beth loved as a teenager—the man who broke her heart years ago. Gabriel has returned to the village with his young son Leo, a boy who reminds Beth very much of her own son, who died in a tragic accident.

As Beth is pulled back into Gabriel’s life, tensions around the village rise and dangerous secrets and jealousies from the past resurface, this time with deadly consequences. Beth is forced to make a choice between the woman she once was, and the woman she has become.

A sweeping love story with the pace and twists of a thriller, Broken Country is a novel of simmering passion, impossible choices, and explosive consequences that toggles between the past and present to explore the far-reaching legacy of first love.”

Gabriel’s goal for his writing:

“The only thing I want in life is to write novels. I used to want to be Graham Greene. But then I read Lucky Jim by Kingsley Amis and it changed everything for me. It’s such a funny book, but daring too. And that’s the kind of novelist I’d like to be. Taking risks. Surprising people.”
Jumping to the trial, I really like the way this book jumps back and forward in time, usually something that irritates me:
“DS Morris looks down at his notebook. “We received a call at nine thirty-seven that night. We’d had report of a shotgun accident at Blakely Farm. The victim was already deceased.” “Let’s pause there for a moment. You were the officer on duty that night. You drove straight out to the Johnson farm?” “Yes. The police station is based in the local town, a drive of around eight minutes.” “Can you recall your thoughts on that journey? A man had died in a shotgun accident. One who was well known to you. Did it strike you as strange or sinister in any way? What I’m asking, DS Morris, is whether you had any inkling this might have been murder?” “Not at that point, no. Farming accidents are fairly common, unfortunately.” “But you changed your mind, once you got there?” “I did, yes. The facts didn’t seem to add up. I’ve been in this job twenty years, and you have an instinct for when you’re being fed a story.” Now Andy looks at the defendant. “Within twenty-four hours, I knew we had a murder investigation on our hands.””
I always loved an Airfix model and taking my time to assemble it.  The Flying Fortress at the World War II museum last week reminded me of making an Airfix model of that plane:
“While we cook, Bobby and my father start work on an Airfix model he has given him, peering in confusion at a bag of plastic parts. I hope Bobby never grows out of Airfix, because my father certainly won’t.”
I would recommend this book to anyone who can tolerate some romance with a well written murder mystery.

The New York Times(NYT) puzzle this week had a clue “Many TV Panelists” with the answer “Talking Heads.”  Rex Parker, NYT puzzle blogger, shared this video about that:

What an excellent performance.

I had always thought this was a Paul Young song (growing up in the UK).  Turns out it’s a Hall and Oates classic:

Did you know Stevie Nicks had a song about New Orleans?  I didn’t.  Found out in the “Inside Out” section of the newspaper – a couple was talking about flying back from New Orleans to Chicago, landing at O’Hare and this song was playing.  They took it as a message to pack up and move;

I love this Isbell cover of R.E.M. and also highly recommend his interview with Terry Gross on Fresh Air (argumentative in a kind way):

Coexist peacefully, with kindness and patience for all!

Week in Review – August 31st, 2025

I shopped for and cooked Sunday dinner – look at me go in retirement.  The black  bean enchilada skillet dish was very well received by my wife.  I did ask her later what dish I had bought the plain yogurt for.  The one last night – “Remember I suggested that you substitute if for sour cream and added it to your shopping list?”  Ahh – I do remember now and we can use it on the leftovers.

A link to the recipe if you’re interested in giving it a whirl, don’t forget the sour cream:

Recipe – black bean enchilada skillet

Another “culture pass” from the library took us to the Ogden Museum of Southern Art on Monday.  The first thing we saw was this “Universal, Cosmic Mule” on the way up the stairs:

Something about this guy really appealed to me.

We started on the fifth floor and worked our way down.  The views from the fifth floor terrace were impressive.  Here’s the World War II museum and Crescent City Connection (CCC) bridge:

And a good view of the “wing” cover over the terrace of the World War II museum:

An interesting seahorse on the patio:

There is an annual competition for local artists to have their work displayed at the Ogden and that was our favourite part of our visit.  Such creativity in pieces created over the last year or two by folks living in the area.

This is a collection of 50 paintings of Vietnamese folks to celebrate the 50th anniversary of the end of the Vietnam war:

This level of detailed information really made this fifth floor exhibit for me.  This one was called “Hurricane Proof House” and was painted “en plain air” shortly after Katrina:

The next floors had some older Southern art.  I enjoyed these two paintings:

The one directly above had a real 3D feel to it.

This is one of the more well known paintings in the collection – French Quarter  rooftops by  Knute Helder from 1923   :

You might be getting bored with my tour of the Ogden by now.  I’ll conclude with one final painting from the “20 years after Katrina section:”

The Ogden is a beautiful building – I remembered watching the HBO Tremé series character, Annie, playing the violin there for an event along with Joe Krown.  I tried hard, even using AI, to find a clip to share – none out there.  I guess HBO is just as effective as Bryan Adams at policing pirate copies of their videos.  There’s the episode info if you would like to watch on HBO:

Episode Season 3, Episode 5 — “I Thought I Heard Buddy Bolden Say”
Performance Setting Ogden Museum of Southern Art
Music Played “O Ma Charmante, Épargnez‑Moi!” (Gottschalk) & “All That & Then Some” (Joe Krown)
YouTube Availability Not currently found via public search

And after all that, I don’t think this is the episode I’m looking for.  I’ll have to watch the whole series again.

I gave McD a choice of two places for lunch after the exhibit – Peche or Cochon Butcher.  I knew which she would choose, and I was fine with either one.  We started with tuna crudo and followed that with Jimmy Nardello peppers over whipped tuna – the waiter sold it to us and I’m glad he did.  Those peppers were smoky and sweet.  I’m ready for some more right now.

 

This is some research on the Jimmy Nardello pepper that I had never heard of before:

“This fine Italian pepper was grown each year by Giuseppe and Angella Nardello at their garden in the village of Ruoti, in Southern Italy. In 1887 they set sail with their one-year-old daughter Anna for a new life in the U.S. When they reached these shores, they settled and gardened in Naugatuck, Connecticut, and grew this same pepper that was named for their fourth son, Jimmy. This long, thin-skinned frying pepper dries easily and has such a rich flavor that this variety has been placed in “The Ark of Taste” by the Slow Food organization. It ripens to a deep red, is very prolific, and does well in most areas.”

We finished lunch with the crab capellini pasta – such fresh pasta and tasty sauce.

We were chatting about how unique these dishes at Peche are compared to other New Orleans restaurants, the combinations of ingredients and flavours reminding us of the wonderful Odd Duck in Austin.

I watched the movie “She Came to Me” on Monday night.  Peter Dinklage is an opera composer, Anne Hathaway his wife and psychiatrist, and Marisa Tomei is a tugboat captain.  Very quirky and well done.

Tuesday began with a walk in Audubon park.  It was a tiny bit less humid and I didn’t feel totally sweated out after a couple of laps.  After the park, we made our way over to the Batture farmer’s market.  This happens every Tuesday and the Batture is the part of land that is on the Mississippi river side of the levee – grandfathered in through some weird law.  If you want to learn more, check out “River Rats” by Macon Fry:

They Call us River Rats by Macon Fry

I spent an interesting day at Macon’s Batture house and will be happy to share some stories the next time we talk…

The farmer’s market was small but very well done.  Great looking peppers, exotic mushrooms, tomatoes, honey,  and smoothies.  We bought a crawfish and mushroom risotto that a fun lady was selling, and I couldn’t resist buying a pupusa from a lovely gentleman named Mike.  It was huge and very filling – Diana and I nibbled on it for several hours.  Certainly the best pupusa I’ve experienced – stuffed with delicious cheese and topped with a fried egg, pickled onion and crema.  I highly encourage my New Orleans friends to check this guy out – he does the City Park market on Sundays as well.  Additionally, he is opening a 70s cocktail bar and Tokyo style jazz club on Freret Street opposite the Gasa Gasa club.  Should be open in a couple of months – permitting delays have delayed the anticipated dates – imagine that in this city.

The Batture will reopen with food trucks and other popup restaurants this weekend for the fall and winter seasons.  We will certainly check that out.

We made our way home, McD did a quick change and pack, and then I dropped her off at Merry Lee’s pool for the afternoon.

My next agenda item was to see about my cyst surgery – this time in the right week.  I told the doctor that I had previously had a one inch cyst removed and now a much smaller version had grown back.  “You mean 2.5 centimeters, based on your accent?”  It’s not usually picked up that quickly.  Apparently his daughter his studying linguistics at Trinity college in Dublin – he might know a bit about accents.  The poor doctor tried really hard to arrange my surgery while I was there and was unsuccessful.

How did we do in Tuesday evening trivia?  We took second place by a very small margin.  I think Kenny was our MVP this week.

I always enjoy the mashup questions – “What would you call an Abba song about the longest reining UK monarch?”

Dancing Queen Elizabeth – I got that one.   Dad would be disappointed if  I  didn’t.

In other trivia news – Glasgow featured ab0ut cloning and Dolly:

Lastly, here’s our team captain turning in our answer that Kenny got right away.  “Joan of Arc.”  MVP for Kenny?

As we were leaving trivia Alex asked if anyone wanted to go and see the band at the Ponchatrain hotel.  Sure, I’ll do that.  At the very least it’ll get me closer to home.  I can walk from there.

Turns out Alex has been taking drumming lessons from Stanton for a few weeks and he invited him to come and watch the show:

Alex was impressed that I knew Oscar Rossingoli- by a week from research following the John Boutte show last week.

We attended the funeral service for the lovely Alicia Cole on Wednesday.  The last time I talked to her she was feeling great and enjoying life – that changed quickly.  Such a lovely lady with a massively kind heart.

 

 

 

Kenny suggested Mandina’s for lunch after the service.  This is a classic old school Italian seafood place with a Cajun twist, reminding us of Original Joe’s in San Jose (not the Cajun part).

We had a delightful lunch with great food and company.  I made the mistake of texting Denny that I had enjoyed my first visit to Mandino’s.  “You have been.  1st NOLA boys trip.  Followed by a stop down the street for Rebirth at Chickie Wah Wah.”  He is so correct – and I had a feeling when I wrote the text that he was going to say that.  Mandino’s had a lot of Hurricane Katrina (more on that coming) damage and had just reopened when we visited the first time.  And the Rebirth gave us a great show – almost too big for the newly opened Chickie Wah Wah.

Diana had a loaded salad and Kenny and I split the “burger on French” – I still couldn’t finish my half.

Mandino’s reminded me a lot of Tony Moran’s – the very first place I ate in New Orleans.  I came in to check up on a team that supported State Farm insurance from New Orleans.  They were still recovering from Katrina. I met Denny and Anne downstairs in the bar and we had desert together with the group upstairs.  Then they took us to Geno Delafonse at the original Rock ‘N Bowl and the amazing Kermit Ruffins with Henry Butler on keyboards at Vaughans lounge.  Why don’t I live in this city?  Took me a decade plus to make it happen

Then, it was finally time for my surgery.  Took about 10 minutes and was completely successful.  The surgeon is very confident that I will not have another cyst in that location.

 

 

 

We had planned on going t see Mia Borders at the Banks Street bar, but I wasn’t really feeling up for it.  Sorry Diana – two weeks from now?

Thursday had a very exciting start – checking out the newly opened Trader Joe’s.  I’m not sure how to describe this store – here’s what AI has to tell me:

” known for its unique, private-label products, affordable prices, and a welcoming shopping experience. The stores offer a wide range of products, including unique snacks, international foods, dietary options, wine, and beer, with a focus on quality and value rather than traditional branded items. The company has a cult-like following, in part due to its discovery-driven model, friendly staff, and often limited-run products.

I think that’s a great summary.  We got a lot of interesting and varied food at a good price.  It seemed like they had listened to all of my complaints about other locations – nowhere near enough  parking, such skinny aisles that y0u can’t even pass someone coming at you,  crowding by the salad and dip section right by the front door.  All resolved at the new Tulane avenue location.

We had our first quarterly financial review on Thursday afternoon.  Doing well so far.  Thanks Uncle Pauline.

The paper had some “Then and Now” pictures today -part of the many 20 year anniversary of Katrina reporting..  The same location then and now.  I’ll share a couple of examples:

Then:

Now:

Continuing on the Katrina theme, Chris Rose wrote this.  Very well written (as always) and my friends will be upset with me for giving this ******* airtime:

“Dear New Orleans: Have you heard? The exhibitions, exclamations, exhortations and excoriations — in memorium, et ceterum, ad nauseam? Triggered yet? All these sad songs they keep playing, they’re so damn … sad. As Dr. John might put it, New Orleans is being traumaticalized, all over again. Deja Vieux Carre.

It’s been 20 years since I wrote a letter like this. That one was addressed to America, introducing our beleaguered friends and neighbors who were fleeing the floodwaters — unknowns bound for elsewhere. Our Exodus. So what is this thing that is happening right now, this … reckoning? An anniversary? Accurate, but that term always seems to fail this auspicious occasion. A commemoration? A remembrance? That one’s got a touch of proper gravitas.

An apotheosis, perhaps — a collective acknowledgment that Katrina still lords over our lives two decades later? The head spins. Who can even think straight with all this 8/29/05, 24/7, somebody please pass the 4/20.

Dear New Orleans. Here’s what it looks like from a distance — of time and geography, of memory and progress, of laughter and forgetting. I have come from the mountaintops, literally — and I’ve got Katrina cred with me. I was “the voice of the tortured city,” said The Washington Post. A truth teller, Oprah called me. (Or her people, anyway.) The McClatchy News Service crowned me “the literary avenging angel of the 504.” That was my favorite.

Folks even said I saved lives, that the stories I wrote in the aftermath were righteous balm for Katrina fatigue. Just last week, an old New Orleans acquaintance of mine showed up at the state park where I am living in the mountains of western Maryland just to cry on me. That’s happened a lot over the past 20 years. People see me, they cry. That’s some heavy right there.

What did I do to deserve all this? A city lay in ruin, 1,600 dead, homes and businesses destroyed, a vital culture drowning in its own filthy water. Somebody had to tell the jokes. Me and the refrigerators.

But I’m no hero, that’s understood. What became of me was, I drank myself to death just like everybody said I would. Caused a lot of pain to family and friends. In the fall of 2021, I was diagnosed with end-stage cirrhosis. These past 20 years of active, sometimes relentless drinking have turned my liver to stone. There is no treatment and there is no cure. I’m a dead man walking.

A recent article in this newspaper told my story in grim, vivid detail — a story of my death foretold — a story so convincing that my brother in Florida received several texts from friends expressing condolences at the news of my passing. But, like my dear City of New Orleans 20 years ago — reports of our death were greatly exaggerated. The writing may be on the wall, but I’ve still got some ink left in my pen.

It is said: The longer you live in New Orleans, the more unfit you become to live anywhere else. OK, I said that — 20 years ago. And I am proof. After my diagnosis, my vicissitudes of fortune rendered me unwilling, unable — yes, unfit — to live in New Orleans anymore. After 35 years of residence, if there’s anything left in this city that I’ve never done before — I probably shouldn’t do it. So I retreated to the woods, off the grid, into the solitude of the outdoors where the nightmares of my own past dissolve in each day’s new dawn; I fall asleep to the sound of waterfalls, wake each morning to campsmoke and songbirds. I have found my own peace.

But I raise a (nonalcoholic) toast to you who remain on this occasion, my dear New Orleans, for having stayed put longer than me, kept it together, stayed strong, stayed true. For having survived. Perhaps you’re tired of hearing about your resilience, equanimity, determination, fortitude and triumph of the human spirit — clichés all — but they’re still damn true.

Another cliché goes that living in New Orleans after the flood was like staying in an abusive relationship. For all her glaring faults, her vulgarity, her violence, she loves back like no other. Nobody puts the funk in dysfunction like the Maid of Orleans. A taste of her wicked, jasmine lips changes you forever. That’s why I still come back. I’m still smitten. New Orleans and I may be divorced now, but I guess you could say we’re still friends with benefits.

The last time I was in New Orleans was Jan. 21, 2025. If you’re looking for a balm for Katrina fatigue now, mark that date on your calendar. That was the day the people of New Orleans came out together like the folks in Whoville on Christmas morning when the Grinch brought all the presents back to the children. The day it snowed in New Orleans. Another weather event that crippled the city, blanketed streets and rooftops, canceled events and services, shut down roads and bridges. Only this time, when the snow melted and all that water soaked back into the ground, there was no bathtub ring left behind to remind us. Just some frozen toes and fantastic photographs.

But there won’t likely be any streaming documentaries about that day. Hell, it doesn’t even have a name. No books written about it, unless maybe a children’s book. No church services, obituaries, memorials, nor weeks and weeks of insufferable media coverage to keep reminding us over and over about how terrible was that Whole. Damn. Thing.

Funny though — there is a song that comes to mind. It’s called “Crescent City Sneaux.” Here’s a snippet:

Hold all our memories in one hand

So tight that you won’t let ‘em go

And in the other hand we pray

That the wind and the panic and the rain

Would all turn to a soft and quiet snow

New Orleans singer-songwriter Susan Cowsill wrote that song — 20 years ago — not about Jan. 21, but about Aug. 29. And yes, it’s so damn sad. At first.

Then it does this weird New Orleans thing. The song starts as a melancholy lament, an elegy for the landscape, “just paper and sticks and tattered sheets.” But then something happens, a slow parade snare creeps out of the dirge, Cowsill’s voice rises then soars, the coda drops a Cajun beat, then a second-line rhumba, and then inexorably, inexplicably, inimitably — and of course — a Who Dat cheer and the Saints go marching in.

It’s mournful, beautiful, inspiring, puzzling, convincing. It makes me cry, it makes no sense, just like my city — that mystery wrapped in a riddle inside an enigma — still here, still strong, still heart-breaking, love-making, wash away my sins and tears, my dear, dear New Orleans.”

Another article about Sean Payton (Superbowl winning coach of the New Orleans Saints) after the recent pre-season match between the Saints and Denver Broncos:

  • Sean Payton, Denver Broncos pay their respects to Fats Domino
The floral arrangement from the Denver Broncos at Fats Domino’s gravesite at Mount Olivet Cemetery in New Orleans.

See how Sean Payton honored a New Orleans ‘icon’ after the Broncos win against the Saints

Denver Broncos head coach Sean Payton didn’t celebrate his team’s preseason win against the New Orleans Saints on Saturday.

Instead, he took the time after the 28-19 victory against his former team to celebrate one of New Orleans’ favorite sons.

On the way to the airport after leaving the Superdome, Payton took the Broncos’ entire six-bus, 180-person travel party to Mount Olivet Cemetery in Gentilly to recognize Fats Domino and pay respects to the musical legend, who died in 2017 at age 89.

Broncos players and coaches visited Domino’s tomb on the first floor of the historic mausoleum and displayed a floral arrangement, highlighted with flowers in the team’s orange and navy-blue colors.

The visit was the offshoot of a Broncos’ game-week tradition. To set the tone for the week ahead, the Broncos play music representative of the city of the Broncos’ upcoming opponent. At the meeting, Payton played two of Domino’s biggest hits, “Ain’t That a Shame” and “Blueberry Hill,” and asked his players and coaches how many of them had heard of the legendary pianist, who was born and raised in the Lower 9th Ward neighborhood of New Orleans. Only a handful of people in the room raised their hand, spurring Payton to schedule the visit for the Broncos’ trip to New Orleans.

“It hit me, but it also upset me, relative to this icon, who was born in this city,” Payton said to the players and coaches at the cemetery in a video of the visit posted on his social media account. “We should know who Fats Domino is.”

The visit was originally scheduled to occur on the day before the game, but it was delayed until Saturday afternoon after the team’s charter flight to New Orleans on Friday afternoon arrived later than expected.

Domino is one of several notable New Orleanians buried at Mount Olivet, among them: pianist Henry Roeland “Professor Longhair” Byrd; saxophonist Herbert Hardesty; hip-hop artist Soulja Slim; and baseball player Walter Wright.

Payton is in his third year as the head coach of the Broncos. He coached the Saints from 2006 to 2020, leading the club to its only Super Bowl championship in 2009.

Friday began with a walk in the park.  Then we met most of the krewe for Happy Hour at the new Milan lounge (underneath the Library bar) on Prytania.  Diana is a big fan of the food that Andrew and team create to serve both locations.  She was clearly hungry, ordering the whole fish tacos.

 

We met the same krewe for the kickoff of the college football season on Saturday afternoon.

Texas vs Ohio State was first, with local interest in the Texas quarterback, Arch Manning (3rd generation in the dynasty.)  Texas lost – not the result that I was looking for.  Next up Alabama vs Florida State.  We didn’t stay for the end, but Alabama disappointed all those folks with red hats and shirts on.  Not disappointed – the champagne girl:

She didn’t actually drink any of those, but they call Miller High Life “the champagne of beers” and so we thought this picture worked.

Where is that fun looking patio.  That’s the Rusty Nail – a great place to watch football.  I hadn’t been in many years and enjoyed the return visit.

 

 

 

I had started watching the new “Thursday Murder Club” on Netflix earlier in the week and just couldn’t get into it.  I must have been in a more open mood on Saturday evening and enjoyed finishing this movie with such an excellent cast.

Kenny invited us to join them at the Southern Decadence parade in the Quarter on Sunday afternoon.  I just wanted to chill at home, but Diana jumped on the offer and had a very good time watching all the crazy walking groups.

Meanwhile, I put together a white bean salad with feta and lemon-garlic vinaigrette.  Tasted very healthy and filling.

 

My first book this week was “A Family Matter” by Claire Lynch.  I’m not sure what possessed me to add this to the reading list – certainly not typical of my selections.  Nonetheless, having rejected my prior read, I felt compelled to persevere with this one.  While the subject matter didn’t appeal a lot, the humour and style certainly did.

An online summary:

 

“A young wife following her heart. A husband with the law on his side. Their daughter, caught in the middle. Forty years later, a family secret changes everything in this “quietly heart-scorching” (Barbara Kingsolver) debut novel.

1982. Dawn is a young mother, still adjusting to life with her husband, when Hazel lights up her world like a torch in the dark. Theirs is the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than Dawn ever expected. But she has responsibilities and commitments. She has a daughter.

2022. Heron has just received news from his doctor that turns everything upside down. He’s an older man, stuck in the habits of a quiet existence. Telling Maggie, his only child—the person around whom his life has revolved—seems impossible. Heron can’t tell her about his diagnosis, just as he can’t reveal all the other secrets he’s been keeping from her for so many years.

A Family Matter is an “intricately layered and infinitely nuanced” (Oprah Daily) exploration of love and loss, intimacy and injustice, custody and care, and whether it is possible to heal from the wounds of the past in the changed world of today.”

This is a quick and easy read.  I think I particularly enjoyed the references to UK based things that I hadn’t thought of in decades.

From a section about a jumble sale:
“Everybody knew that the best clothes would go first. Older women pulling tartan trolleys outmaneuvered young women leaning on prams.”
The old biddies with the tartan trolleys are not something you see in the US – maybe because few people walk to the stores.
Here’s one of those references from decades ago – “Rupert the Bear:”
“She runs her hand over some children’s clothes, a pair of worn-in jeans, a mustard-yellow jacket with Rupert the Bear embroidered on the chest pocket.”
“Butterfly cake” – another one from many years ago – I can picture it so well:
“Nobody is expecting her home for at least an hour, so Dawn finds the refreshments table and splurges on a cup of tea and a butterfly cake.”
“Flailing arm” – I’ve been accused of that a few times:
“Maggie sleeps with her arms thrown above her head like the laziest of ballerinas. She knows this because she wakes in this pose most mornings, with pins and needles in her hands and a pain between her shoulders. She knows it because Conor frequently complains about being hit in the face by a flailing arm in the middle of the night. When the alarm on her phone goes off, she reaches a hand down.”
“Wallpaper covers” made me smile.  I think mine were more typically brown wrapping paper:
“There is work to finish before she can leave the school. Spelling tests waiting for her red ticks, the stack of project books with their wide lines and wallpaper covers.”
I love “like some metal creature settling down to sleep”:
“Perfect timing,” he says, as Maggie locks her car with a click of the key fob, the wing mirrors folding in like some metal creature settling down to sleep. He will pack away the ladder and she can stick the kettle on.”
Another UK reference that I haven’t considered in decades – “Subbuteo players”:
“She unrolls a whole-school photo from 1991. Rows and rows of girls, shrunk to the size of Subbuteo players.”
One final UK reference that made me smile – “laminated in Sellotape”:
“Her gift is so well wrapped it is virtually laminated in Sellotape, but Maggie manages to tear at one corner and open it.”
I lied – one more reference – “Matey bubble bath”:
“Bathtime and her daughter is perfection, the curve of her back, every limb and inch of her. For a treat, they pour in extra bubbles. Dawn makes the Matey bottle tip his hat, then they sing, as they always do”
There’s a new Jon Batiste album out last week, and it’s superb.  This gentleman has limitless talent:
From the “Beethoven Blues” album from last year:
And his collaboration with the wonderful Randy Newman from the new album:
Here’s one other excellent song I heard  this week.  A cover of “Little Wing” by Devon Allman.  Hoping he plays this at their Blues and BBQ appearance in early October:
Coexist peacefully, with kindness and compassion for all.

Week in Review – August 24th, 2025

“Pickleball, Trivia, Music”

Our pickleball set arrived on Monday and Diana organized a court for us at The Exchange (indoor with air conditioning) for Tuesday.  I chuckled at a sheet of stickers in the package – stick on the bottom of the paddle handle and then you can use it to pick up the whiffle ball without bending all the way over – they know the target demographic for the game.

Kenny was kind enough to come along and give us some pointers.  It’s the common sense things – “Angle your paddle up unless you’re hitting it really hard”, “get down lower before you swing at ground balls” – that really help.  I had a good time and think Diana and I might make this a regular part of our week.

I might be most comfortable with the backhand – that was the same at table tennis.

On Tuesday afternoon I had scheduled an appointment to have the sebaceous cyst on my back looked at.  I had this several (3 or more) years ago and ultimately had to have it cut out as it got large and painful.  They warned me that it may come back.  Well, now it’s back and still very small.  After consultation with McD, I decided it was a good idea to get it cut out before we switch to a new benefits year (October 1st) and a new deductible kicks in.

Diana dropped me at Baptist on Napoleon and went on to drop some shoe returns off at the UPS store.  I made my way up to the 6th floor and was confused when the room it told me to check in at had a “Women’s wellness and menopause center” sign on the door.  Oh well, apparently that’s where the general surgery patients check in as well.   The lady behind the desk couldn’t find my appointment.  “Don’t worry – I’ll look it up n my phone.  I’m sorry I got the wrong week.  My appointment is next week.”  As if that wasn’t enough embarrassment, I’m leaving the menopause office and run into Julia – “What are you doing here?”   Ah geez!  I explained my situation and gave her a laugh.  She’s recovering from shoulder surgery and probably needed the laugh.

Returning home, I watched a new Cowboys Netflix documentary – “America’s Team, the Gambler and his Cowboys.”  I thought the episodes that I watched were very well done, and that even non-Cowboys fans might enjoy them.  I should have known better than to voice that opinion at trivia with a bunch of diehard Saints fans.  Aikman, Irvin, and Emmitt Smith were amazing – surviving the 1-15 season before all the Superbowls.

On to trivia.  We had a good session on Tuesday evening.  For the first time, I captured some pictures of the questions along the way.  We were behind at half time – all these peppy Tulane and Loyola students back in town and ready to play.  I’ll take you on a bit of a play by play from there:

The half time question – 3 points for every correct answer, up to 4 guesses:

We maxed out with 12 points – Cowboys (they didn’t want to write it down), 49ers, Steelers, and Patriots.  We are often a second half team:

I enjoy the “mashup questions”:

We were looking at the gasses and several of us triggered on “Noble Gasses” – must be “Barnes and Noble Gasses.”  Correct!

The group had settled on “Jailhouse Rock” and then I started trying to process on 1956 and a female blues singer – “Ain’t Nothing But a Hound Dog” popped into my head.  That was it.

I don’t know “Don Quixote” well, but had some brain flash on this horse name.  Again, we lucked into being correct.  We’re now on a big second half roll.

I should be the right guy to answer this.  I flashed back to a dinner at Tim’s house.  His son, Tegan, was playing “Trouble” with me.  I told him it was called “Sorry” in the UK.  He was very strongly opposed to that concept.  “No, it’s Trouble.”  I told the gang that “Sorry” was the correct answer.  Tom, quiz master, said the correct answer was “Frustration.”  I objected and he came up with an alternative question, that we nailed.  I did some Googling and found that “Frustration” is the current name for the game, and apparently they recently changed it from “Sorry.”  I don’t feel badly for objecting.

For some weird reason, I knew the answer to this.  Not sure how.  Maybe because I watched the series on TV about Uber and remembered the years.  I don’t know.  I’ll take the points.   I was positive on 2012 versus 2013 though.  Thom was thinking 2013 initially.

We were in first place with 101 points going into the final round.  The competitors had 93.  For the last question, one can wager up to 20 points.  Given our standing, we wagered 13 points.  Unfortunately we lost to “Phlat Phil” who got the last question right – we were somewhat close, but no cigar.  Second place and $25 of Dat Dog food and drink.

That’s a lot more trivia detail than I plan to share in the future.  It’s been a hot and slow week so far here.

On returning home, glowing in the second place aura, I watched a Netflix documentary on the band Devo.  Alex mentioned at trivia, and then I learned in the film, that Devo stands for “de-evolution”.  The members of the band attended Kent State university during the Vietnam protest incident – “Four dead in Ohio.”  They decided that mankind had “de-evolved” – “beginning to regress as demonstrated by the dysfunction and herd mentality of American society.”  I think they might have been onto something about the present day.

Open in Spotify

We used our “culture pass” from the library to attend the World War Two (WWII) museum on Wednesday.  This is advertised as the “#1 attraction” in New Orleans.  I had heard very positive reviews of this museum from everyone who had attended, and am happy to report that my experience was way better than I expected, even after all those reviews.  Such beautiful, professional, and carefully created exhibits.

The main entry hall was very impressive, with a huge bomber lurking overhead.  I often found that there were massive things overhead that I hadn’t noticed.

Our first exhibit was about the Aleutian islands – fascinating knowledge of these islands that are such a bridge between Alaska and Russia.  Did you know that Russia sold the US Alaska in 1865?

We migrated from there to a D-Day exhibit.  It’s hard to imagine the scale of this endeavor these days, and the commitment of the individuals involved.  This exhibit tried to convey some of the magnitude:

Did you know that a large number of the personnel involved in D-Day were dropped in via gliders?  I had never heard that.  Apparently towed across the Channel by boats and then released to glide into the zone.

My favourite exhibit on my first pass through this wonderful museum was about the war in the Pacific.  We were down in the bowels of a warship and then in a jungle.  The settings, videos and artifacts were amazing:

Of course all this ends up with the Enola Gay on August 6th, 1945.  Followed up with another atomic bomb on August 9th, 1945.   Reading the flight log from the Enola Gay was chilling.  “God, what have we done?”

Open in Spotify

Our final stop was at the Boeing airplane  exhibit.  I’m astounded by how they got all these massive objects inside this exhibit hall – I’d love to see a video about that (haven’t checked YouTube yet).  The 3rd floor viewing gallery had me marginally dizzy (thanks Dad!), and so I rejected Diana’s request to check out the 4th floor gallery.  Look at all these suspended and amazing planes:

Diana wanted to capture my dizzy self with all the massive planes above me:

On exiting the museum I suggested that we visit Taqueria La Lucha – this is a place owned by Kenny’s friend Ryan.  He makes wonderful tacos and an amazing hibiscus margarita.  We had a nice visit with him.  He started off with how difficult it is to run a restaurant in New Orleans in the height of summer – no doubt, and finished with stories about parade rides that his Dad helped him make.  Ryan’s hibiscus margaritas are the best that I have tasted, ever:

Here’s the taco menu that we need to take advantage of soon, when the weather cools off:

We got home just in time to meet Tristan who was going to service our generator.  He changed the oil, filter and spark plug so that we’re ready for the remainder of hurricane season.

Some interesting facts about what happened on August 20th:

In 1882, Tchaikovsky debuted his 1812 overture.  I can remember playing this at the Interlachen casino in Switzerland – such an amazing tour and very difficult bass part. The casino did not reverberate like the mountain churches we had played in the previous few days.   One of the highlights of my brass band career.  Second only to my Albert Hall experiences.  Walking the stairs that Eric Clapton walked in the start of the Cream reunion .

There’s a lot of excitement in Austin and in New Orleans about Arch Manning starting as quarterback for the University of Texas.  Here’s an interesting article in the paper about his bond with his grandfather, Archie:

Arch Manning Time Picayune article

On Thursday morning, I watched the Jennifer Lawrence movie “Causeway.”  This is one of my very favourite movies – understated with huge emotional connections and set in New Orleans.  Unlike some other movies, this could only be New Orleans – almost every scene.

I visited Aidan Gill and Derek for a haircut later on Thursday morning – always a good blether.  Then it was over to Rouse’s to do some shopping for an enchilada casserole that I planned on making.  I ultimately got too tired to mess with that and just popped a “Sicilian” pizza in the oven.  It seemed to be well received by my half Sicilian friend.

We had an amazing musical experience on Friday night.  John Boutte was playing in the indoor pavilion at the Broadside.  We’ve seen him before as a guest of Jon Cleary, but not with his own band and show.  I was happy when the second song in his set was Louisiana by Randy Newman:

And what an excellent guitar solo:

Who is that genius on the guitar?  It took a bit of work, and I identified him as Caleb Tokarska.  Here’s an Offbeat article about him:

Caleb Tokarska bio

After a while, Boutte started taking requests.  Caleb requested this one, “Blowin’ in the Wind”:

In addition to Caleb on the guitar, Oscar Rossignoli on the piano was a wonderful surprise.  As Diana said, “He could play anything.”  Indeed he could – a complete virtuoso who played all over the map for 2 hours without any music.

I enjoyed Boutte’s story about meeting Paul Simon and this cover of “American Tune”:

And this Cyndi Lauper cover:

Finishing with the song that made him all that HBO money from Treme:

I read this interesting article about living in and leaving New Orleans:

New Yorker New Orleans article

The Krewe of OAK rolled on Saturday night.  This is a walking parade on Oak Street and Carrollton midway between Mardi Gras celebrations.  We met Anne and Jack for dinner before the parade.  Chais Delachaise was close to the parade route.  We found out that Fred, Kelly and Richard had the same idea when we arrived.  Here are a couple of the walking groups:

Meanwhile, on the Mississippi coast, the boys were watching the Marshall Tucker Band, or rather, the one surviving member of the original band.  Apparently they found him after the show:

Open in Spotify

I read “Hell of a Book” by Jason Mott this week.  It wasn’t a long read and one that I should perhaps have abandoned midway through.  I found this a strange book, not totally devoid of great writing and promise, and just not cohesive at all – different writing techniques and approaches that don’t come together, if at all, until the last few pages.

Here’s the AI summary of Amazon reader reviews:

“Customers find the book heartbreakingly poignant and eloquently written, with great insight into the complexities of race and humor throughout. The storytelling receives mixed reactions – while some praise its astounding narrative, others find it confusing at times. The authenticity and pacing also get mixed reviews, with some finding it true and timely, while others question its reliability and find it challenging to follow.”

I can get behind that summary.  It’s always interesting when I don’t love a book that gets universally hugely positive reviews from so many sources, e.g.  from The Sunday Times:

“Brilliant and inventive. What is most surprising, however, is how funny the novel is. Jason Mott, an already successful American novelist, has dared to bring anarchic farce, vertiginous layers of irony, and often riotous hilarity to the Black Lives Matter movement. Striking . . . intelligent . . . ingenious.”

There were certainly some funny passages, but I would not describe the overall novel as “funny” by any stretch of the imagination.

Some passages that I enjoyed:

“The eighth-graders in the back all migrated up to the center of the bus, all of them sitting and leaning in a semicircle around Soot and Tyrone, pulled by the persistent gravity of cruelty.”
“The persistent gravity of cruelty” is a wonderful phrase.
The main character, speaking of his new book:
“It’s in brick & mortar stores. It’s online. It’s been Kindled and Kobo’d, iPadded and Audible’d. It’s been optioned so that it can be movie’d—Joseph Gordon-Levitt and Donald Glover are both said to be interested. We’re even in talks to have it comic book’d. My publisher is happy. My editor is happy. The company I pay my student loans to is happy. My agent and publicist is . . . well . . . she’s involved, and I think that’s as close to happy as publicists get.”
I like the verbing of nouns – “iPadded”
“and the fact that I’ve already nearly cleaned out Renny’s minibar did nothing to help make Daedalus’s maze any more navigable.”
I saved this so that I could learn more about Daedalus’s maze, guessing that could be a future trivia question:
“In Greek mythology, the Daedalus maze, also known as the Labyrinth, is a complex structure designed by the legendary architect Daedalus for King Minos of Crete at Knossos. It was built to house the Minotaur, a creature with the head of a bull and the body of a man, who was eventually killed by the hero Theseus. The Labyrinth was so intricate that Daedalus himself struggled to escape it after its completion.
“Thanks,” I say, trembling as the handshake persists. He squeezes tight enough that I think that, when this greeting finally ends, I might find a raw diamond where my hand once was.”
Tight enough to create a raw diamond – clever.
“So I pull over and let her out in the middle of the block. The cars behind me in traffic don’t honk their horns because this isn’t the type of town where people do that type of thing. This is a good place filled with good people who know that they’ll get wherever they’re going when the time is right. It’s a philosophical city. She steps out and shuts the door.”
Oh to live in a city with these driving habits, as contrasted with universal red light running, shooting out of side streets, and the like.
““The next what?” “You think this is over?” he asked, opening his eyes again. He looked around his seat as he spoke, searching for something. “This is just book one. Just an introduction.” “An introduction to who?” “To whom,” he corrected, finally finding what he was looking for: a blanket. Then he leaned back in his chair again and shut his eyes and before I could even ask another question, he was already asleep. Deep and instant slumber, like somebody had just closed the lid on the universe’s laptop.”
Closing the lid on the universe’s laptop – very clever imagery.
“Laugh all you want, but I think learning to love yourself in a country where you’re told that you’re a plague on the economy, that you’re nothing but a prisoner in the making, that your life can be taken away from you at any moment and there’s nothing you can do about it—learning to love yourself in the middle of all that? Hell, that’s a goddamn miracle.”
This was almost a closing, summary paragraph.

Steve Jones of the Sex Pistols on “5 Albums I Can’t Live Without”, discussing Bowie’s “Ziggy Stardust” album.   His list also included Rod Stewart, Roxy Music and Steely Dan.  That last one just makes me smile.  Steve Jones loves the precision and musicianship of Steely Dan.

“I know he had a few albums before that when he had curly hair and wearing dresses. I knew a couple of the songs, but that whole look, the glam look, I was sold hook, line, and sinker when that came out. I saw him a few times. I love Mick Ronson, Woody Woodmansey is a fantastic drummer, and Trevor Bolder. They were just a great band. I know it was basically David Bowie’s thing, and then he left them after two albums. Pretty much all of them anyway. Mick Ronson went on a bit longer to play with him on Pin Ups. That album was definitely one of my favorite albums. Very inspirational to me. Steered me in the direction. I loved all that glam, to be honest with you. T. Rex, Mott the Hoople. Good glam. There was a lot of cheesy glam, which I don’t mind now, but at the time, I was a bit particular. They had to look a certain way. Slade and The Sweet and bands like that, they seemed a bit more just manufactured and Top of the Pops friendly. I liked a bit more avant-garde with Bowie, and the next album, I’m going to say, as well. If you want me to still talk about the rise and fall, I will, or are we done now?”

Coexist peacefully, with kindness and patience for all.

Week in Review – August 18th, 2025

“Pickleball?”

I finally had enough of putting air in a tire with a slow leak, and I know Diana certainly was tired of it as well.  Time to get it fixed.  Paul had recommended Al and Al’s shop and what a wonderful experience that was.  Not a place I would ever have considered using from a curb appeal perspective, but I was in and out in 15 minutes with two patches in place.  I would recommend Al senior and junior to anyone with tire woes.

The rest of Monday was boring administrative work – bills and other paperwork.

A hearing aid check up on Tuesday took me over to Metarie.  I typically swing by Taco Bell for a snack while over there.  My drink cup usually gets my secret visit busted by McD.  I’m going to have to be stealthier.

Kelly organized a girls Happy Hour for Anne’s birthday at the Columns in the evening.  Seems like they had a good time for three or more hours…

Diana had a busy girls day on Wednesday.  Running with Lori in the morning, followed by yoga.  I found out that Lori refers to her as “Coach D” while she’s pushing her to run further.  In the afternoon, Anne and Kara joined Diana at Merry Lee’s pool for the afternoon.  The brightly coloured bracelets that Diana had manufactured for Anne’s gift were well received.

Of course, the big fish were landed after Kenny and I left Grand Isle.  Thom looks quite pleased with himself and apparently that’s a cobia that Jack has:

Jack was kind enough to drop off some trout fillets for us when he got home.

A text from Diana at the pool asked me if I had interest in seeing the new Jeff Buckley documentary at the Broad theater on Thursday.  I had noticed this on their email an hour earlier and was waiting to ask if Diana would like to go when she got home.  Nice when things work out like that.  We both enjoyed the movie a lot.  Here’s an interview with the director, Amy Berg:

Spin interview with Jeff Buckley documentary director

After the movie we stopped into the Whole Foods on Broad (not one we’d ever been in before) to get ingredients for making a lemon butter sauce for the trout.  The store was small but very pleasant, and the sauce turned out well.
The roasted carrots were also yummy.
Diana and Lori had another run on Friday morning. I walked over to French Truck for a coffee while they were running.  The sidewalks and walls of the cemetery are always “interesting.”
Then I made a trip over to the bank to renew our safety deposit box.  Diana correctly pointed out that it should be overdue – apparently the notice was still going to McKinney and the mail forwarding stopped a year ago.  Oopsy.
We had read that the Milan lounge had reopened in the bottom floor of the Library bar on Prytania and decided to give it a try for Friday Happy Hour.  The door was open but the bar was deserted.  I saw some guys in the kitchen at the back and went to check with them.  Apparently the bar tender had an issue with their roof at home, so no go on the Milan and Jeopardy.  No worries – let’s try the Library upstairs.  This was a very pleasant experience with good drinks at a good price and delicious dim sum treats from those guys in the kitchen downstairs.  Connor the bar tender and Andrew in the kitchen were both very pleasant.
Some interesting things from August 15th in history:
1057 – Macbeth, King of the Scots, was killed in battle by Malcolm, eldest son of King Duncan, whom Macbeth had slain
1969  – first day of the Woodstock music festival
1939   -The Wizard of Oz was first released
1914    – The Panama Canal opened
Kenny invited us to join the krewe at Pickleball in City Park on Saturday afternoon.  Diana was talked into joining several doubles games, and I think I would have tried as well had I not decided to wear my usual flip flops.  I enjoyed chatting with the guys in the shade.
We had a group dinner at Taqueria Guerrero on the way home.  This was a casual and delicious spot near City Park and next door to Angelo Brocato’s (home of the famous gelato and cannoli’s.)  Another good Denny recommendation.
We made a trip over the Mississippi to Algiers on Sunday for brunch at the new Saint Claire restaurant.   This is a large house on some beautiful grounds that once were part of some kind of Naval base.   Chef Melissa Martin of the Mosquito Supper Club (close to our home) is in charge of the menu at Saint Claire.
Brunch was very good.  Delicious biscuits, niçoise salad for Diana and lamb meatballs and grits for me.
After brunch we made a visit to the nearby Crown and Anchor “English Pub.”  The entry is through an old Tardis like police box as seen in Doctor Who.
When we entered the bar tender was leading a debate on which musicians were better – “Joan Jett or Pat Benatar?” – obviously Joan Jett.   “Elton John or Billy Joel?” – that’s a more complicated choice.  This was a very pleasant stop on the way home.
From the only in New Orleans files, this was the headline this week – our Mayor indicted on 18 counts.  Thankfully she only has a few months left in office.
My book this week was “Culpability” by Bruce Hoslinger.  Here’s an online summary:

“When the Cassidy-Shaws’ autonomous minivan collides with an oncoming car, seventeen-year-old Charlie is in the driver’s seat, with his father, Noah, riding shotgun. In the back seat, tweens Alice and Izzy are on their phones, while their mother, Lorelei, a world leader in the field of artificial intelligence, is absorbed in her work. Yet each family member harbors a secret, implicating them all in the tragic accident.

During a weeklong recuperation on the Chesapeake Bay, the family confronts the excruciating moral dilemmas triggered by the crash. Noah tries to hold the family together as a seemingly routine police investigation jeopardizes Charlie’s future. Alice and Izzy turn strangely furtive. And Lorelei’s odd behavior tugs at Noah’s suspicions that there is a darker truth behind the incident—suspicions heightened by the sudden intrusion of Daniel Monet, a tech mogul whose mysterious history with Lorelei hints at betrayal. When Charlie falls for Monet’s teenaged daughter, the stakes are raised even higher in this propulsive family drama that is also a fascinating exploration of the moral responsibility and ethical consequences of AI.

Culpability explores a world newly shaped by chatbots, autonomous cars, drones, and other nonhuman forces in ways that are thrilling, challenging, and unimaginably provocative.”

This was a thought provoking, entertaining and relatively quick read.  I give it a strong recommendation.

An interesting paragraph that defines “anthropomorphic projection”:
“These systems are designed to respond in recognizably human ways. We give them names like Siri and Alexa. We speak to them as if they share our worldview, or care about our feelings and futures. This behavior is known as anthropomorphic projection. We want our helpful machines to be like us, and so we tend to project onto them our ways of understanding the world.”
A section that gets to the heart of the book – culpability of AI systems:
“Artificial Intelligence confronts us with the problem of distributed culpability. Human morality, historically, centers around agency and intentionality. We blame the drunk driver, not the car; we credit the artist, not the brush. AI systems muddy these waters. AIs are not mere tools; their learning algorithms endow them with agency. They make “decisions” based on data, albeit without consciousness or intent. A strict division between human and machine culpability is quickly becoming untenable, creating a landscape where ethical norms strain under unfamiliar weights. In this context, both legal and ethical frameworks must evolve to address this novel, intricate web of agency and accountability. Failure to adapt our frameworks risks ethical disarray, misassigned blame, and ultimately a kind of moral haziness that is already having a corrosive effect on our society. We must always take responsibility for our own mistakes. Yet in this new age of intelligent machines, we must also take responsibility for theirs.”
One of the scarier elements of AI, in my opinion, the “black box” decision making:
“The phrase “black box” refers to AI systems whose internal workings and computational processes are neither transparent to nor easily comprehended by humans. While deep learning and other AI models may produce accurate results and generate correct predictions, the means through which they arrive at these outputs is a mystery even to their most knowledgeable programmers. Nearly all of these systems’ decision-making processes, including how exactly they process ethical constraints, remain opaque. The black box thus embodies the inscrutability of AI in many of its current incarnations. In this sense, the black box is a harbinger of a potentially terrifying future of unknowability. In a black box, we are all flying blind.”
The ethical and moral issue at the core of the discussion of AI in the book:
“When humans do something wrong, they generally face consequences. Even when our wrongdoing goes undetected by another—a parent, a spouse, an institution, law enforcement—we tend to experience guilt, shame, or regret. Only a psychopath lives life free of remorse. Algorithms face no such consequences for their misbehavior, either societal or emotional. Punishment, guilt, culpability are alien to them. There are no moral qualms in an algorithm. Yet without acknowledgment of wrongdoing, how can there be regret? Without self-consciousness of guilt, how can there be remorse? And without regret and remorse, how can there be moral growth?”
Pavlov’s dog was mentioned in the book.  My mind mapped to this song that I hadn’t heard in decades:
I think the lead singer, David Surkamp, sounds like a blend of Geddy Lee from Rush and Fergal Sharkey of the Undertones:
Coexist peacefully, with kindness and patience for all.

Week in Review – August 10, 2025

“Keith’s turn at the beach”
I would like to start this week with a quote from the late, great Anthony Bourdain, courtesy of the wonderful Bastion restaurant in Nashville:
A lot of great advice in there.
Diana made it home from Julia’s beach house, trapping a mouse in a closet for John to deal with when he arrived after their departure.  We enjoyed a late “welcome home” lunch at the Columns on Tuesday, sharing the delicious burger (best in NOLA?) and their new chopped salad.
I didn’t make it to trivia.  Apparently the most interesting question was about naming 4 of the 5 classic French cooking “mother” sauces.  Denny got Hollandaise and Bechamel.  I would have added Tomato if I had been there but would not have remembered the remaining two – Velouté and Espagnole.
We participated in our classic retiree activity on Wednesday morning – the classic 10am movie at the Prytania.  This week was “Roman Holiday” – the 1953 movie with Audrey Hepburn and Gregory Peck.
I’d forgotten how many quiet scenes there were in this one – relying on the facial expressions from Hepburn in particular.  The very last scene being an excellent example.  We both enjoyed this one very much.
We’ve been working on our wills, medical and financial powers of attorney, living wills etc. for many months now.  These were finalized on Thursday on the 25th floor of the Regions Bank building downtown.  It’s always entertaining for us to enter the type of building that we worked in for so many years and haven’t been in for many years since.  Paul met us there and acted as the second witness for the document signing.
We celebrated this milestone with a Happy Hour at Saint John.  This is another great value offering (not quite as good as Cafe Degas, but close.)
The moules frites and crudo with creme fraiche were both very good, and the highlight for me was the muffuletta bruschetta.
Kenny drove us to Grand Isle on Friday.  Where is that?  Well, it’s the last barrier between New Orleans and the Gulf.  Way down there (about a two and a half hour drive.)
I always learn something when driving with Kenny.  Two takeaways from this trip:
1.  There are three billionaires in Louisiana.   Trey’s employer is one of them, and he hails from Lockport, a small town we drove through.
2.  Port Fourchon, right on the tip before you turn for Grand Isle, once delivered 17% of the US energy supply.  Amazing to contemplate from such a small town.
We arrived a bit before check in time and so enjoyed a burger and yummy onion rings at the Starlite diner.
The “fishing camp”, really a big house on stilts, that Denny chose for us was excellent.  Big, manly living area, huge upper deck, queen size bunkbeds, massive downstairs cooktop, and a huge dining table.  Denny always does such a good job of researching and finding places for us.
We met Denny and Mason at the marina and then Kenny made everyone jambalaya back at the house.
Grand Isle was in sync with New Orleans – hosting a red dress run on Saturday morning.  This is a silly charity event where men and women all dress up in red dresses and participate in a short run.  We made our way down to the marina to check out the post run festivities.  The red dresses piled into their golf carts and started to leave shortly after our arrival.  They were off to Cisco’s bar.  Why not join?
This was a classic dive bar.  The guys played a complicated three ball pool game and we enjoyed the ambience.
Thom ended up winning the pool pot and doing an entertaining happy dance.
Later in the afternoon we headed out on the boats.  I was assigned to Preston’s boat with first mate Jack and Kenny.
Neither boat had good luck with catching any fish.  The water was choppy and that led to a pretty bumpy ride back and forth from the fishing spots.  I was amazed by the selection of extremely expensive reels that Preston’s friend had in his closet after we docked and enjoyed the sunset.
Back at the fishing camp, Denny cooked up a feast (no fish on the grill) while the guys relaxed.  Denny works hard on these trips to keep everything going.
Meanwhile, in the Quarter, the girls were enjoying “Dirty Linen Night”.  This follows “White Linen Night” which happened the week earlier.  This is a fundraising event on Royal Street and most of the galleries and shops participate.  You buy a wrist band and get drinks at all the galleries.
The funds go to pre-college education for kids hoping to go to college that might not typically have the right preparation.  Last year, 100% of students made it to college.  Seems the girls had a great time, finishing with dinner and drinks at Manolito (Cuban restaurant.)
Kenny did a great job of driving us home through serious storms on Sunday morning.  Then we took Anne for dinner at Basin Seafood to start her “birthday week.”  They had an interesting coolinary menu (the August special menus that restaurants have to try and bring more locals in during the quiet season.)  Diana had the crawfish pupusa.  I sampled and it was perfect.
Anne started with the corn bisque.  Great presentation on both dishes:
Both of them opted for the soft shell crab entree, while I rejected the coolinary menu (not that hungry) and opted for the beet and crab ravigote salad (highly recommended.)
My book this week was “So Far Gone” by Jess Walter.  I really enjoyed this – the first half quite a bit more than the second.  First half was more character driven, with a lot of dramatic action in the second.  This is not as great as Walter’s “Beautiful Ruins”, but worth the read.  Here’s the online summary of the plot:

“A few weeks after the 2016 election, at Thanksgiving with his daughter’s family, Rhys Kinnick snapped. After an escalating fight about politics, he hauled off and punched his conspiracy theorist son-in-law. Horrified by what he’d done, by the state of the country and by his own spiraling mental health, Rhys chucked his smartphone out a car window and fled for a cabin in the woods, off the grid and with no one around—except a pack of hungry raccoons.

Now, seven years later, Kinnick’s old life is about to land right back on his crumbling doorstep. Can this failed husband and father, a man with no phone, no computer, and a car that barely runs, reemerge into a broken world to track down his missing daughter and save his sweet, precocious grandchildren from the members of a dangerous militia?

With the help of his caustic ex-girlfriend, a bipolar retired detective, and his only friend (who happens to be furious with him), Kinnick heads off on a madcap journey through cultural lunacy and the rubble of a life he thought he’d left behind. So Far Gone is a rollicking, razor-sharp, and ultimately moving road trip through a fractured nation, from a writer who has been called “a genius of the modern American moment””

I take issue with the “caustic ex-girlfriend” – that’s not how I read her.

Some passages that I enjoyed:

An entertaining metaphor:

“Rhys sat helplessly between the dim husbands of daughter and ex-wife, quietly nursing his fourth beer. He was a terrible nurse. This patient wasn’t likely to make it, either.”
Emphasizing my hatred of the younger set inserting “like” everywhere it doesn’t belong:
” She was, of course, neither nun nor teenager, but a twenty-four-year-old recent college graduate, still able to conjure a bit of high school indignation on her face when it suited her. “Um,” Allison said, “I’m, like, working on it?” She held her phone up with a flopped wrist. On the screen: a photo of crime scene tape around a light pole. She was, like, posting it! If someone would just, like, leave her alone!”
Getting a little deeper:
“All cruelty springs from weakness. Seneca said that, along with: Ignorance is the cause of fear. Kinnick had always believed these adages to be true, but now, bleeding on the ground, watching Dean Burris stand over his dead son-in-law, Rhys wondered if Seneca might have been a little silly to believe in the causal roots of evil.”
An interesting take on the surface level journalism that we are served:
“Pestered by Lucy the day he left the hospital, Rhys had allowed himself to be interviewed by a young reporter named Allison. When the story ran, Kinnick was deflated. She’d gotten his quotes right and the details certainly seemed accurate, but reading about the whole thing in the newspaper somehow shrunk Shane’s murder, as if it had been nothing more than a seedy domestic squabble between a flaky wife, her religious husband, and his gun-toting militia friends. Rhys even started to wonder if that’s all it was. He had to remind himself of the limits of daily journalism, which was better at posing questions than answering them. Still, he wondered: Where was the story about how fear had infected so many people, how it had killed his poor son-in-law? How a sociopath like Dean Burris had burrowed his way into the Church of the Blessed Fire? How these insane things kept happening, these eruptions of senseless violence, of anger and ignorance and greed and mendacity, like ancient fissures bubbling up under the surface, and what—we were just supposed to go on with our lives? Wake up the next day like nothing happened, like we hadn’t lost our minds? Just turn the page, to the baseball scores or the horoscopes or celebrity birthdays? (Nothing to see here, just America.)”
We watched a documentary on Billy Joel that we agreed was very well done.  What a huge talent.
And then I watched a few episodes of the CNN documentary about Liveaid.  This took place the day before I started working, and I remember watching it with my new boss, Howard Dunn, at his home.  40 years ago!
One of the interesting scenes is Paul McCartney’s microphone not working during “Let it Be.”  The logistics of doing something like this in 1985 are astounding, and this was the only blip that I’m aware of.  David Bowie, Pete Townsend and Bob Geldof came out to sing and help with the issue.  And then the crowd took over.
Finally, I remembered a crazy good album that I got as a Christmas gift from Mum and Dad one year.  It was called “The Hitmakers” and had a ridiculously good set of tracks:
Sultans of Swing by Dire Straits
Oh Yeah by Roxy Music
Games Without Frontiers by Peter Gabriel
Dark End of the Street by Van Morrison
You Wear it Well by Rod Stewart
What an amazing year in music.
Coexist peacefully, with kindness and patience for all.

Week in Review – August 3rd, 2025

“Diana makes it to the beach”

We kicked off the week with an early morning walk in the park.  It is hard to drink enough water when it’s so hot outside.  Anne and Diana took advantage of the pool at Merry Lee and Jeff’s condo on Monday afternoon.

For Tuesday trivia there were a lot of teams and thankfully it was a  few degrees cooler than last week.  We were doing well going into the final round (1st place if I remember correctly.)  There were some easy questions like this one:

And then there was “What is a German Shepherd dog called in Britain?”  That was an easy one for me and I suspect not for many of the other teams.

The final question involved putting these events in chronological order:

The first episode of Charlie Rose

Pete Rose banned from baseball

Kiss for a Rose on the chart

Kate Winslet won Oscar for Rose

We got the first two in the wrong order – Charlie Rose was more recent than we suspected.  I think we finished in 4th place.

I promised Diana that we would try the Happy Hour at Cafe Degas on Thursday.  This is an excellent value – full sized martini for $5 (and not drowned in vermouth), Diana approved sparkling wine for $5, escargots for $6, and pate and cheese board for $12 (a really good selection and portion.)

The food and drink seem to taste better when you know you’re getting a really good value.

I got a NOLA.com alert at Cafe Degas about a man running down Bourbon street with a “Love” flag.  This could only be our buddy, Chris Peet.  Here’s the article – really well written with some good pictures:

 

Chris Peet Love Flag on Bourbon St

I treated myself to a delicious breakfast sandwich from Gracious bakery on Friday.  I haven’t decided if I prefer this to the one from District or the one from Chicory – so many great options in walking radius.  I picked up a lemon bar treat for McD while I was there – well received.  I enjoy reading the “On this day in history” column in the paper.  Some highlights from August 1st:

Baden Powell hosted a camp at Brownsea island in Southern England, marking the first Boy Scout camp.

In 1981, MTV took to the airwaves with the first video played being “Video Killed the Radio Star” by The Buggles – a good trivia question:

Diana made it to the beach, courtesy of Julia’s beach house, and Anne’s transportation.  I chuckled at her little packing station on the counter:

This was her location:

Ok – I didn’t do a very good job with that screenshot – she was between Mobile and Pensacola on the south (Gulf) coast.

The beach looked very pleasant and came with some interesting wildlife:

The heron has a name, and I don’t remember it now.

Denny organized a get together for the male members of the krewe while the ladies were at the beach.  We met at Gris Gris and enjoyed their Happy Hour snacks – mini meat pies for me, wings for Good Lord Alex etc.

We relaxed a bit at our home after that:

I finished “King of Ashes” by S.A. Crosby this week.  My summary – very dark content, great characters, sad story.  Off to find something a bit lighter.

 

 

Here’s a recent poem by Giancarlo (Diana’s brother).  I tried to get the line spacing closer and gave up after 30 minutes of putzing around in WordPress.

*Love Poems to Gaza (Songs to Gaza) 

 I come to you from my speck on the planet

10,000 miles of proximity 

I am eager to know you 

Even in my speckled English 

My own lost language hovers in the atmosphere 

Just out of reach 

I have drunk the poison known as empire 

And in my veins the antidote still lives 

It works diligently day and night 

To salvage my flesh housing my soul 

I say this to you now even in my shock 

My sorrow wants to embrace yours 

This desire riddled with the grapples 

Of my nation’s self-pleading 

I must pass through a climate of indifference 

To reach your shores 

I suspect you know the old lines 

The betrayers announce themselves 

Before they charge 

I too have to calm myself before the thieves 

Overtake me 

I tell you with my voice only a shrivel of meaning 

No act stifles your life 

No cruelty disappears your heritage 

You are not lost to me 

 

Please, I do not want to burden you 

I want to lift the yoke of your hurt 

My eyes burn and my heart clenches 

My hand is near just outside the flames 

Where I embrace your brethren 

Still living amidst the explosions 

In my proximity there is a gulf of fire 

But the winds blow cold 

Parting the flames momentarily 

I reach in and lift you out 

Hold you as if you were my own 

 

Your planet as mine joined by a blaze 

Our planets merge into one 

Inseparable as we’ve always been 

To know you again to know your strength 

Inseparable as we’ve always been 

Believing our climate traces a proof 

The skies push back smoke 

We look together to the skies 

A silence we begin to remember 

 

Where was I the last time 

The waters overdrew my feet 

I looked out at the sea’s 

Tangled white crests 

Watching for any signs of you 

I looked beyond the swells 

Past the imaginary line of horizon 

My bare feet grasp the sand, 

Inextricable 

I feel you from here 

Water tumbling like cries 

Waves spreading a burdened life before me 

Shell eyes, driftwood limbs 

I reach down to pick up a stone 

Chiseled and smooth by innumerable fingers 

And toss it through the spray 

To reach you 

 

I love the funky side of John Scofield:

And on a completely different musical track, just a masterclass in songwriting:

And finally, a similar style from another great singer songwriter:

Coexist peacefully, with kindness and patience for all.